A Quote by Kemp Muhl

When Sean and I are old, we're just going to compose weird abstract symphonies. — © Kemp Muhl
When Sean and I are old, we're just going to compose weird abstract symphonies.
I attempt to compose symphonies, although it is clear to me that logically it is pointless.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
I don't believe in a composer who is only able to compose, who can't play or conduct, can only use a computer. If that trend continues there will be no more symphonies, no more oratorios.
Let's say intelligence is your ability to compose poetry, symphonies, do art, math and science. Chimps can't do any of that, yet we share 99 percent DNA. Everything that we are, that distinguishes us from chimps, emerges from that one-percent difference.
Just as one can compose colors, or forms, so one can compose motions.
One of the biggest guys I worked with was Sean Connery. People like Sean, Michael Caine, Denzel Washington, they've been going for a long time, and not for nothing. They want to get this job right, and they realise the weight of responsibility on their shoulders.
And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn't for Sean Connery, we wouldn't all be here. I was raised to fight for what I believed in, so I wasn't going to give up. I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He's been an extraordinary Bond, and he is very much the right Bond for the 21st century.
I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?
I spoke to Sean Hannity, which everybody refuses to call Sean Hannity. I had numerous conversations with Sean Hannity at Fox. And Sean Hannity said - and he called me the other day - and I spoke to him about [war in Iraq] - he said you were totally against the war, because he was for the war.
The weird thing about old Playboys is knowing that the naked woman is now an old lady. I said weird. I didn't say bad.
It had occurred to Sean once - on a bender about ten years before with some buddies, Sean and a bloodstream full of bourbon turning philosophical - that maybe they HAD gotten in that car. All three of them. And what they now thought of as their life was just a dream state. That all three of them were, in reality, still eleven-year-old boys trapped in some cellar, imagining what they'd become if they ever escaped and grew up.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
In science, if you don't do it, somebody else will. Whereas in art, if Beethoven didn't compose the 'Ninth Symphony,' no one else before or after is going to compose the 'Ninth Symphony' that he composed; no one else is going to paint 'Starry Night' by van Gogh.
That's what I always loved about [Federico] Fellini's films: You see the weird joy of the weird filmmaking family and the abstract craziness that goes along with it, and there's something about it that's quite beautiful.
Just remember this- weird's good. Embrace the weird, dude. Enjoy it because it's never going away.
My interactions with Sorkin were agonisingly weird. He is by far the weirdest person I have ever met. I had dinner with him and a few hours before I got an e-mail from his assistant saying, 'Sean, this does not need to be a long conversation. Aaron is only going to use it to win your trust.'
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