A Quote by Ken Adam

The cinema is there to heighten the imagination; I have always tried to make sure it does so. — © Ken Adam
The cinema is there to heighten the imagination; I have always tried to make sure it does so.
I've always believed that true cinema is cinema of the imagination.
I have always tried to make life interesting for myself by doing different roles that connect mainstream cinema with its offbeat counterpart.
Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed. He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled. And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.
I always seek to mobilize, to call on the imagination of the spectator. It's well-known that the images that are created by one's imagination are far stronger than any that I can show. In fact, it's an error, a widespread error in mainstream cinema, to always want to show things and to depict things.
All my desires are born of my dreams. And I have proven my love with words. To what fantastic creatures have I entrusted myself, in what dolorous and ravishing world has my imagination enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The language of my love does not belong to human language, my human body does not touch the flesh of my love. My amorous imagination has always been constant and high enough so that nothing could attempt to convince me of error.
As soon as I get on the mic that's something you can't really match with me, so whenever I accompany Andrade to the ring I make sure that no matter what it was I was doing, I make sure that I was a part of it and to make sure that the moment you will remember when Zelina does a crazy thing.
I will heighten my life by helping others heighten theirs
I've tried to be graceful and I've tried to make sure my arguments are grounded in reason and insight.
I've always tried to make sure that what I do really connects with the broader agenda of what my husband is trying to do.
It's just odd that something as essential in life as sex has been flattened out in mainstream cinema - and in art cinema. Even in art movies, sex always seems to be treated negatively. Why does it always end in disaster?
I was the one who was always scowling, downcast. I tried to make sure I looked like that when I was getting my picture taken.
I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life.
Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
I've tried to make 'Strictly Ballroom' impossible to date. It does feel a bit '80s but I consciously made sure there was no technology in the movie that could date it.
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