A Quote by Ken Berry

I hooked up with Warner Bros, and I was dying to play Ensign Pulver in the 'Mr. Roberts' series, and I didn't get the part. Instead they cast the with Forrest Tucker and Larry Storch in 'F Troop.'
For my first acting job I played the role of Ensign Pulver in 'Mr. Roberts' at the Manitoba Theatre Centre.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
CNN? Oh, that's that network with Larry King, who, like the Son of Sam, is a native of Brooklyn. Used to be owned by Ted Turner, who, like the Cincinnati Strangler, is a native of Cincinnati. Now part of Time Warner, founded by the Warner Brothers, the oldest of whom, Harry Warner, like many Auschwitz guards, was a native of Poland.
And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.
When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.
I was cast as the lead in a Warner Bros TV pilot and was immediately told I needed to lose weight. I got a bit weird about food for the first time in my life, and I thought, 'You know, this just isn't the life for me.'
The hardest part was getting the window net hooked back. I didn't think I was ever going to get it hooked. I finally got it hooked. If I'd known that I wouldn't have tried to hook it.
For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.
I've proven that I'm not a complete failure. Every film has done well. It's like, "So, okay, when do I get my deal at Warner Bros?
I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out.
When I went to Warner Bros., there was a woman named Bonnie Lee who was an executive who helped me to get to 'Pee-wee's Big Adventure.'
I was on Warner Bros. for a minute.
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
I come from a visual background. I used to work in the camera department at Warner Bros. when I was a teenager. I grew up dusting lenses and learning about photography.
The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.
I was working with another major label after Warner Bros, and they were telling me who to hire as musicians, what kind of music to play, what producer to use. I mean, what's the point of putting me on the record?
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