A Quote by Ken Dodd

If I get a hard audience they are not going to get away until they laugh. Those seven laughs a minute -- Ive got to have them. — © Ken Dodd
If I get a hard audience they are not going to get away until they laugh. Those seven laughs a minute -- Ive got to have them.
If I get a hard audience they are not going to get away until they laugh. Those seven laughs a minute - I've got to have them.
In college, I learned that my favorite parts were the sad clown parts. Those are the ones I love because you get to do everything. You get to be funny, make them laugh one minute, and make them cry the next minute.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can.
At the end of the day, my life isnt about other peoples work. Ive got to stop giving stuff away. Ive got my own stories to tell, and a great need to tell them. Ive got these images, these thoughts in my head, and I need to find a way to cope with them.
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at.
You get an audience to laugh and then show them something horrific, it's going to be even more horrific because they've had the release of the laugh before it.
When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what's going on.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
The music is pretty relentless. You've got to find some way of letting the audience breathe for a minute, give them a little bit of air - but not too much. Otherwise it would get real intense. The room would get very tense.
Isn't it funny how babies laugh a lot? I read a toddler, a young child laughs 300 times a day. The average adult laughs, like, four times a day. God put it in them. He put the laugh in us, but I think sometimes we let life get us down, you know, have bad breaks, and we lose our breaks.
Bad taste is not illegal. I always got my first laughs as a kid by saying inappropriate things. That's always how we're going to get our laughs as comics.
When you're actually talking over someone, it's as if you're just pontificating and they're not even there. And their body language - they're trying to get away from you. And if you're pontificating at an audience, and there's a break, the non-martyrs in the audience are not going to come back. I mean, they just want to get away from you.
If I get big laughs, I'm a comedian. If I get little laughs, I'm a humorist. If I get no laughs, I'm a singer.
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