A Quote by Ken Follett
I aim to be translucent, so you don't notice the words, just their meaning. I haven't much insight into people's motivations.
Related Quotes
The big insight that I have, not so much from writing 'Red Notice' but from living as the main character of 'Red Notice', is that Russia was and is a criminal state unlike any other sovereign country.
To notice people's deceptions yet not reveal it in words, to bear people's insults without showing any change of attitude-there is endless meaning in this, and also endless function.
I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
People do things with terrible motivations and those motivations are selfish and self-interested and financially driven.
Our words are, as a general rule, filled by the people to whom we address them with a meaning which those people derive from their own substance, a meaning widely different from that which we had put into the same words when we uttered them.
Nothing can express the aim and meaning of our work better than the profound words of St. Augustine - 'Beauty is the splendor of Truth.'
[The] aim is not so much to seek battle as to seek a strategic situation so advantageous that if it does not of itself produce the decision, its continuation by a battle is sure to achieve this. In other words, dislocation is the aim of strategy.
We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.
Contemporary poetry ... tries to transform the sign back into meaning:
its ideal, ultimately, would be to reach not the meaning of words, but the
meaning of things themselves. This is why it clouds the language, increases
as much as it can the abstractness of the concept and the arbitrariness
of the sign and stretches to the limit the link between signifier and signified.
Your questions refer to words; so I have to talk about words. You say:;: The point isn't the word, but its meaning, and you think of the meaning as a thing of the same kind as the word, though also different from the word. Here the word, there the meaning.
I don't aim it at anybody specific, I don't aim my characters to make old people laugh or young people or professionals or blue collar, just whatever I think is going to be funny and it just so happens that.
I have a problem when people say something's real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I've always been confused and never had a clearcut understanding of the meaning of those kinds of words.
Maps were so much easier than words. Words had a way of getting muddled, or meaning two things at once.
A visionary is someone who sees the future with both insight and foresight: Insight into the deeper causes and meaning of events in the world, and foresight, or an intuitive grasp of the big picture, such as the trajectory of politics and popular culture.
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