Write about what you care about. If you do that, you're probably going to do your best writing, reach off the page and touch the reader. How are you going to make the reader care if you don't care yourself?
If you only have 10 examples of something, it's going to be hard to make deep learning work. If you have 100,000 things you care about, records or whatever, that's the kind of scale where you should really start thinking about these kinds of techniques.
Here's the thing: When you become brilliant at listening, people feel that you care about them. When they feel you care about them, they begin to care about you. And when people care about you, your success becomes a part of how they define their success.
When we talk about good books, we often talk about good sentences, but what we rarely talk about is reader pleasure. Yet it is reader pleasure that is going to make a book break out into the kind of success that makes it into a household name.
I don't really regret anything I've done, even if it's bad. I mean, I have a $100,000 Chopard watch. I don't need a $100,000 watch, but I like it. It's all diamonds. That's a little extreme, but I don't care.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
It is excellent discipline for an author to feel that he must say all he has to say in the fewest possible words, or his reader is sure to skip them; and in the plainest possible words, or his reader will certainly misunderstand them. Generally, also, a downright fact may be told in a plain way; and we want downright facts at present more than anything else.
We shouldn't forget about the over 100,000, in fact some estimates place it in excess of one million, the over 100,000 innocent Iraqi men, women and children and babies who've died horrible violent deaths because of George Bush's war.
I get $100,000 a picture and if I don't work, that means that's $100,000 I don't make.
It doesn't matter whether characters are real people or not; if they're not vivid on the page, then the reader doesn't care about them that much, and, if the reader doesn't care about them that much, then they don't care what happens to them.
The Declaration of Independence, the words that launched our nation -- 1,300 words. The Bible, the word of God -- 773,000 words. The Tax Code, the words of politicians -- 7,000,000 words -- and growing!
I think it's very easy to disgust the reader with violence on the page - that's incredibly easy - but it's far harder to make a reader care about a character.
I want to define success by redefining it. For me it isn't that solely mythical definition - glamour, allure, power of wealth, and the privilege from care. Any definition of success should be personal because it's so transitory. It's about shaping my own destiny.
Poem in other words may or may not result from inspiration but must (in reader and author alike) produce it--
In order to be a mentor, and an effective one, one must care. You must care. You don't have to know how many square miles are in Idaho, you don't need to know what is the chemical makeup of chemistry, or of blood or water. Know what you know and care about the person, care about what you know and care about the person you're sharing with.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.