A Quote by Ken Follett

I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.' — © Ken Follett
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.'
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.
I'm obsessed with 'The Americans.' It's one of my favorite shows. I also love 'Baskets' - low-brow, high-art comedy.
Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
'The Buccaneers' was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
This is a glorious biography ... The time is ripe for a new biography of Edith Wharton of this intimacy and on this scale ... Lee the biographer pursues her subject down every winding corridor, into every hidden passage and dark corner ... Her critical exploration of Edith Whartons work is dazzlingly assured ... A feat of exhaustive research, and finely tuned to Whartons creative achievement at the same time ... [Wharton] could scarcely have failed to be impressed by ... its artistic sympathy, its sonorous depths, and its soaring conception.
Ron Howard is a great filmmaker and also a great storyteller in 60- and 30-minute shows, so why isn't he going to be a great storyteller in 10-minute pieces?
My mother was a great storyteller and a great historian in her own way. She only made it to third grade. She came from Mexico City at the tail end of the Mexican Revolution and that kind of turmoil and chaos and frenzy and also excitement.
In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.
You will notice already that Mr. Baggins was not quite so prosy as he liked to believe, also that he was very fond of flowers.
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
The savagery and power of Edith Wharton's ghost stories surprised me.
When we were playing chess in the house, she would never let me win until I was good enough to beat her. It was always a competition. She was also always there for me. She was a very caring, loving mom, and the sacrifices she made to allow me to get to where I am today, I'll be forever in debt.
My two goals are to read everything Edith Wharton has ever written and to have an art collection.
What? I bring joy to the world. I am filled with mirth and sunlight. Also, I am Batman.
Reality is a magic lady, sometimes very mysterious. To me she is very passionate. She is real not only when she is awake, walking down the streets, but also at night when she is dreaming or when she is having nightmares. When I am writing, I am always paying tribute to her - to that lady called Reality.
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