A Quote by Ken Follett

Thrillers have been traditionally very masculine books; the women characters often rather decorative. — © Ken Follett
Thrillers have been traditionally very masculine books; the women characters often rather decorative.
I feel that we should try and understand how we as women storytellers have often fallen into the mode of telling stories in the ways in which traditionally men would. I often find that my points of view are expressed by male characters.
Women have taken on traditionally masculine roles and professions, and there is no real equivalent for men. Men are still extremely reluctant, as we all are reluctant to see them, take on traditionally feminine roles or professions. That is just not something that they do easily.
Sometimes you can accept an important post, on condition that it really puts you in a position to help women. Unfortunately, women who have important posts very often adopt masculine standards-power, ambition, personal success - and cut themselves off from other women.
War has traditionally been a man's work, although we know that often women were the cause of violence.
Traditionally, women didn't have much a role in Buddhism. The books were all written by monks, for other monks. So the general view of the feminine was rather misogynistic, with women playing the role of the forbidden other, waiting to pounce on innocent little monks! In that society, it was hard for women to become educated and get the deeper teachings and really become accomplished.
If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?
As I see it, my focus has never been on masculine power rampant and triumphant but rather on the antithesis: masculine power impaired.
Women are penalized both for deviating from the masculine norm and for appearing to be masculine. When women try to establish their competence, they are scrutinized for evidence that they lack masculine (instrumental) characteristics as well as for signs that they no longer possess female (expressive) ones. They are taken to fail, in other words, both as a male and as a female.
I think the culture of the feminine needs to be reinvigorated and women need to build a culture that is connected all over the globe to reinforce this new-found power in the body. Women have been divided to be conquered. No one person did this. It's been a cultural evolution. The masculine nature is very out there and vocal and very much espousing their point of view, and God bless them. The female culture needs to learn to do the same.
I never wrote just straight women's roles. I liked the strong characters. I don't mean women who have masculine qualities about them, but something that has some intestinal fortitude, some guts to it.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
Women have always been the primary victims of war. Women lose their husbands, their fathers, their sons in combat. Women often have to flee from the only homes they have ever known. Women are often the refugees from conflict and sometimes, more frequently in today's warfare, victims. Women are often left with the responsibility, alone, of raising the children.
The video game industry traditionally has been a very male-dominated field. You know, with the advent of the iPhone, the number of women gamers exploded.
Networking is extremely masculine. It's a vulnerable thing to admit to, but even I experience feeling super insecure around certain masculine meetings. So, we put women in control. Women will make the first move on Bumble Bizz as well.
There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find [in the films] a better understanding of women. And knowledge of the other is the highest goal.
It's not that I only want to make films about women, but from my experience, I have been very interested in the women who play these characters.
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