A Quote by Ken Griffey Jr.

That's the best thing about playing defense. I get to see somebody else but myself get mad. — © Ken Griffey Jr.
That's the best thing about playing defense. I get to see somebody else but myself get mad.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
My dad always told me that the best way to get somebody to get at you is to talk bad about them to somebody else.
Strength of 100 men? I'd probably just get mad and hurt somebody and end up in jail. I think invisibility would probably be the best thing. I could be like, 'You know what, let me just see what these folks are talking about over here.' Then you could sneak into Rams cheerleaders' locker room.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
I am a slave to fashion. I love to get into what's hot and current when I dress myself or somebody else. Usually, it's someone else because I'm constantly working on finding the best looks for actors.
I can spend somebody else's money on somebody else. And if I spend somebody else's money on somebody else, I'm not concerned about how much it is, and I'm not concerned about what I get. And that's government. And that's close to 40 percent of our national income.
The best thing about acting is that I get to lose myself in another character and actually get paid for it. As for myself, I'm not really sure who I am. I change every day.
To become successful you will have to get mad about your current situation. After you get mad, get motivated to do something about it.
If you get simple beauty and naught else, you get about the best thing God invents.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
The more carries you get, the better you see the field, see the way that the defense is playing you.
The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
I get mad like anybody else does, but being able to laugh about getting mad is very healthy, and my kids know that.
It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?
Sometimes I just go, 'Is it me? Am I really just not that likeable?' The cool thing is, when you go out there and see a lady get mad or a guy get mad, or they hate you because you didn't come from the independents, or whatever, what I like to do is just pour kerosene on that fire.
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