A Quote by Ken Hensley
If you want to capitulate to what commercial needs are, you can always be commercially valuable, but I'm not interested in being that.
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In the US, commercial interests stole the airwaves early on, before public broadcasters could get a stab at it. And the deal that was made with public broadcasting was, "Okay, we'll allow there to be a handful of public stations to do the educational programming that commercial broadcasters don't want to do, but the deal is they can't do anything that can generate an audience, anything that's commercially viable." Anything they do that could be commercially viable could be considered unfair competition to commercial interests and should only be on the commercial stations.
A film has to be for commercial success as well as earn you respect as an artist. You don't want to do only things that are designed to run commercially, and neither do you want to do things that get acclaim but don't run.
I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
None of my movies have ever made any money, so it's not about commercial success for me. It's always the same thing. I want to create something valuable, something unusual and different that the world has never seen.
I'm no longer interested in being in big commercial films.
I think what's great about your community is that it's different than anyone else's. Look around. What do you want to change? What needs to be built, or what's valuable and needs to be maintained? Is it the people? Local animals? Your parks or gardens? Hospitals?
The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
There is music out there that is commercially driven, whether you like it or not. That's a peculiarly American innovation. We innovated the commercial music business.
I think that freely available software can not only keep up with the evolution of commercial software, but often exceed what you can do commercially.
Most of all, I love being a storyteller. And yes, I want to make a good living, but I'm not always driven by the best commercial sense.
I obviously think that freely available software can not only keep up with the evolution of commercial software, but often exceed what you can do commercially.
A noble heart will always capitulate to reason.
Being promoted as a bubble-gum type artist that has one hit and it's all over is not something I want to do. I want a long career. I want to continue to play guitar and have as much guitar in there as possible in a commercial song without being too indulgent.
I have cut four albums so far, and all of them have been trendsetters and commercially successful. I believe that once you start taking art in commercial terms, it ceases to be art.
Why talk about what we want? That is childish. Absurd. Of course, you are interested in what you want. You are eternally interested in it. But no one else is. The rest of us are just like you: we are interested in what we want.
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