A Quote by Ken Jennings
The Final Jeopardy! questions seem to be, by design, things you can't know. And so it's not about who knows them, but who can figure them out in thirty seconds.
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In the same way that I tend to make up my mind about people within thirty seconds of meeting them, I also make up my mind about whether a business proposal excites me within about thirty seconds of looking at it. I rely far more on gut instinct than researching huge amounts of statistics.
Everybody really knows what to do to have his life filled with joy. What is it? Quit hating people; start loving them. Quit being mad at people; start liking them. Quit doing wrong; quit being filled with fear. Quit thinking about yourself and go out and do something for other people. Everybody knows what you have to do to be happy. But the wisdom of the test lies in the final words: "If ye know these things, happy are ye if ye do them."
A picture is what it is and I've never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn't make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they're right there, whatever they are.
Anytime that I have an impulse to pull out my phone and take a picture, especially of a landscape or something, if the first thing I do is reach for the phone, I actually force myself to sit there and at least wait thirty seconds before I actually grab my phone. I'm, like, "No, sit here for thirty seconds, and just see what you think about. What does this make you think about?"
We also don't always know what we want. And in those cases it can actually make us worse off because it's actually easier to figure out what you want and to figure out how the options differ if you have about a handful of them than if you have a hundred of them.
I love to hang out and talk to people on set, especially when I start a new job to get to know them. I like to learn things from the crew so I sit around and ask them technical questions, when I think of them.
The worst moment was when I was performing and I was about to sing, but I choked. I had a tickle in my throat and I started coughing, and I couldn't get the words out. It lasted for like thirty seconds, but I got over it, and luckily the crowd didn't seem to care.
Ranger removed my goggles "Would you like to come home with me?" I stepped away from him. "Thank you for the offer, but no. I'm done with men." Ranger smiled. "Forever?" "Until I figure some things out." "And if you don't figure them out?" "If I can't figure them out on my own, I'll ask you to help me." "Babe, that's like the blind leading the blind.
If you want your kids to have fun learning about food, you need to let them explore it in their own way. Let them figure out for themselves what textures and flavors go well together. Who knows, maybe they'll invent the next French-fry-dipped-in-a-Frosty trend.
All my stepchildren carried the burden of my fame. Sometimes they would read terrible things about me, and I'd worry about whether it would hurt them. I would tell them: 'Don't hide these things from me. I'd rather you ask me these things straight out, and I'll answer all your questions.'
But who knows their own child? You know bits - certain predictable reactions, a handful of familiar qualities. The rest is impenetrable. And quite right too. You give birth to them. You do not design them.
One of the simplest ways to get an idea of one trillion dollars is to consider the amount in terms of the passage of time. One million seconds is equal to roughly eleven days and twelve hours, and one billion seconds is thirty-two years. One trillion seconds equals thirty-two thousand years.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
I spent the better part of a week trying to figure out how to organize these stacks of 30 years of conversations and dialogues. I finally began clustering them in these different categories, and I ended up with the ones you listed.It's interesting to me the kinds of questions I haven't been called to wrestle with. For example, I don't know what this says, but I'm not asked a lot of political questions.
I do love DVD and I've always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there's so much design involved. And in this one, we thought a lot about it and what could go in.
The only time I get frustrated with activist criticism is if I have recognized them, and invited them to work with me to figure out how we solve this problem that they're concerned about, and either they don't engage out of the sense of purity - "I'm not going to shake his hand" - or you're not sufficiently prepared so you don't even know what to ask for, or you're not being strategic as an activist and trying to figure out how the process has to work in order for you to get what you want.
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