A Quote by Ken Jeong

I think a lot of comedic actors, on their close-up they can deliver. But when it comes to reacting to other people being funny, that's work in itself. — © Ken Jeong
I think a lot of comedic actors, on their close-up they can deliver. But when it comes to reacting to other people being funny, that's work in itself.
I've been called a funny person, for a long time. I don't know that I know anything about comedic acting. I'm not a good improver, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.
I think it's great to see how they've grown up, not just as actors but as people. They're still very much the same kids that I met many years ago. They've grown up and they are funny and wicked and naughty and bright, and I think as actors their work is just getting better and better. They've blossomed.
You see a lot of comedic content that's not funny, and you can tell that it's supposed to be funny, but it's actually not funny.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'
The way the left is reacting to the death of Fidel Castro up against the incontrovertible facts of who he was, you want to talk about a disconnect. In fact, I don't think it is a disconnect. I think the left, the power brokers, the leaders, I think they actually did admire the guy. I think this is what they think Castro's power - I've always said, the people have asked me, how do these actors and people and these leftist politicians, how come they admire people like this? I said, "They envy their power." And I think there may be a lot to that.
A lot of people dont think of my work as being all that funny, but I think its hilarious!
A lot of people don't think of my work as being all that funny, but I think it's hilarious!
People forget actors can adapt and change their appearance. In this industry, people sometimes cast to type, or as close to type as possible, but actors are a lot more versatile than you think!
A lot of times, comedic actors are discriminated against. People just assume they can't do something other than what they do, rather than thinking, 'Oh, wait - doing what they do normally is really hard.'
People who do not have funny in them are not funny when they read funny lines. Sorry. Just doesn't work that way. Seriously, this is the biggest rule of all. You live and die with your casting decisions. Your actors are the heart and soul of the whole thing. Without brilliant actors, you will not have a brilliant film.
Some people are brilliant at being comedy actors and if you're a comedian I think there's a perception that, if you're acting at something that's meant to be funny, it will be funny all the way though and you'll be dropping in gags.
What I was being told in my 20s in the close-quartered, male-ego-infused work space, was that I had to stop reacting with my emotions to sexual desire towards me. The change, in other words, had to be made in me.
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