A Quote by Ken Jeong

I think critics tend to think that comedy is freakin' math. Like, this is the Pythagorean Theorem. They're not sophisticated enough to know that comedy is fluid, that it evolves, and these organic evolutions are what you have to embrace.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
I think comedy is on an organic upsurge right now because when I started, it was 1978 at The Comedy Store and Letterman had just stopped emceeing his morning show.
You know, I think British comedy is very smart comedy. You don't get too much dumb comedy over here. Or at least I haven't seen it. If I'm wrong about that, I apologize to all the dumb comedy makers over here.
That is why one day I said my game will be like the Pythagorean Theorem - hard to figure out. A lot of people really don't know the Pythagorean Theory. They don't make them like me anymore. They don't want to make them like that anymore.
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
Comedy is math, music is math, and editing is, so I think those all work together.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
I love comedy. I don't think there's enough comedy on stage.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
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