A Quote by Ken Kesey

There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus.
If there are people out by the bus, I'll come off the bus and sign autographs, too. I always want to be accessible. I always tell my fans, 'If I ever get on the bus and don't come off, it's because I'm under the weather or I'm really tired.'
Now, you’re either on the bus or you’re off the bus.
Everything was becoming allegorical, understood by the group mind, and especially this: "You're either on the bus...or off the bus.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
Look, I don't really know where we should take this bus. But I know this much: If we get the right people on the bus, the right people in the right seats, and the wrong people off the bus, then we'll figure out how to take it someplace great.
Just by default, because I don't have kids on my bus, I'm putting the studio on my bus. Where everybody else is doing their cribs on their bus, I'll have a little studio, so I'm going to invite my bandmates, on days off, to come and keep writing so we can continue the creative process and keep it going through the tour.
My first artist bus was Jason Aldean's old bus, with deer antlers over the lights and cowhide on the back of the couches. It was such an absolute dude bus.
This is gonna sound stupid, but I saw at one point that our mothers are ... bus drivers. No, they are the bus. See, they're the vehicle that gets us here. They drop us off and go on their way. They continue on their journey. And the problem is that we keep tryin' to get back on the bus, instead of just lettin' it go.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
When I ran for mayor of New York City, the first time, some people voted eight and ten times. And second time I had firefighters and police officers outside checking on the buses so we take down the number of the bus, the bus had voted ten times, and wouldn't let the bus vote again.
When you are waiting for the bus and someone asks, "Has the bus come yet?". If the bus came would I be standing here?
You're either on the bus or off the bus.
People are released from prison so unprepared. They give you $200. We call it gate money. And you have to pay for a bus ticket back to L.A. You get off the Greyhound bus, downtown Skid Row, and you're supposed to make a life from that.
You can play Mozart all you want and pretend that it gives you class, but what is class, you know? Class is a bus driver on the M103 who gets off the bus to help somebody on board even though he's tired, he's exhausted, and he's two months behind on his mortgage. That's real class.
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