A Quote by Ken Kesey

I've found psychedelics to be keys to worlds that have always existed, that have to be talked about. — © Ken Kesey
I've found psychedelics to be keys to worlds that have always existed, that have to be talked about.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Psychedelics can carry you farther and faster than most people care to go. Once you get to psychedelics, it's no longer a matter of seeking the answer, you have found the answer. Now the issue changes dramatically, you must face the answer.
We came to recognize that our initial thinking about the keys to educational reform was wrong. The key variables weren't pedagogical. They weren't financial. They weren't curricular. They weren't research. They weren't any of the usual things we've always talked about as the engines of change. The variables were deeply emotional and cultural.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
It's really important to have role models, and a lot of the ancients always talked about this. Seneca talked about this, Aristotle talked about this, and in fact, this was my boxing coach's philosophy in college, was that you have to have role models.
Personally, as a print journalist, I always found the most interesting stories to be the ones hacks talked about in the bar after work.
When you read the psychedelic literature, there is a distinction between the so-called natural psychedelics and synthetic psychedelics that are artificially produced.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
When we talked, I talked about me, you talked about you, when we should have talked about each other.
I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
It became much more complicated politically to work with psychedelics because of the unsupervised experimentation with psychedelics, particularly among young people.
I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.
I think that what these psychedelics do, is they actually do connect you to the whole circle. You stand outside of the moment from which you embarked on your psychedelic experience, and you see eternity like a vast landscape deployed in front of you. So what I think psychedelics are is they're about time, and they somehow make all time co-present.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
I found this website, The Experience Project, which has people write first-hand experiences of their life and what they went through. There would be a 75-year-old man who talked about his childhood or a 15-year-old girl who talked about what she is going through right now. It was amazing to read their personal thoughts.
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