A Quote by Ken Kesey
You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself
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A lot of acting is working with your own psyche in order to allow yourself to be open and reveal yourself. But then of course there's a healthy part of you that says, "Well, don't do that." You know, you're going to be in front of people. You could look foolish. You could get it wrong. You could be too big or too small or not realistic or whatever those things are. People might criticize you. There's all kinds of reasons not to be open. But you do want to be open.
He believed that he must, that he could and would recover the good things, the happy things, the easy tranquil things of life. He had made mistakes, but he could overlook these. He had been a fool, but that could be forgiven. The time wasted--must be relinquished. What else could one do about it? Things were too complex, but they might be reduced to simplicity again. Recovery was possible.
When you're working in front of the camera, there are always things that occur to you after the director has said 'Cut.' I could probably, if I sat down and thought about it, come up with instances where I wished I had made this particular choice or that particular choice.
It's amazing the things you realize
when you lose someone:
you get mad at yourself for not
saying the things you could've a million times,
you take for granted the days
spent doing nothing when
you could have been with them.
Anyone can be taken,
at any time in our lives,
but we always wait until they're gone to say
the things we never had the courage to before.
Anyone of conscience could come look at my book and see it as an esoteric oddity or be intrigued by it. It could happen either way on a thousand different little decisions each individual might make.
That's one of the things I always tried to do as champ. If you saw me at house shows, I was going to make you think I was going down. If I was wrestling Kane, I could lose. I'm wrestling Batista, I could lose. I'm wrestling Big Show, Undertaker, you name it, I could lose.
This is the thing to bomb. This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we".
Only Ron's dog was watching William. He considered that it had, for a dog, a very offensive and knowing look. A couple of months ago someaone had tried to hand William the old story about there being a dog in the city that could talk. (...) The dog in front of William didn't look as if it could talk, but it DID look as if it would swear.
I never, ever, had a person who could come up with the name of a person who could not get a job because an illegal immigrant had stepped in front of them, because it was either a job that person didn't want to do or didn't exist.
This business is a tightrope between ultimate ego and absolute devastation. You could lose. You could get knocked out. You could get in a car accident. I want to deal with the total truth of the situation. When you cross-reference the paths your life might take and modalities that might apply to you, I find I'm more at ease in a humble ground.
Nothing is so painful to the human mind as a great and sudden change. The sun might shine, or the clouds might lour: but nothing could appear to me as it had done the day before.
A great script might come my way, and I could be in the middle of music. So, it's a huge choice that I have to make - if I'm going to go do a movie or if I'm going to turn it down - because it could be an opportunity that could send my career through the roof, and you never know.
If someone had to lose weight, I would tell that person to lose weight. Lose some weight, why can't you take care of yourself. When I say this, the person might think, 'Look who's talking,' but I would reply, 'I'm a boy and you're a girl.'
If it’s a pure expression of yourself no matter what it is or what medium, it’s going to shine. It’s going to resonate. You could look inside of yourself and you could have a canvas and you could paint a dot in it, but if that is where your creative purpose is taking you then it needs to be that dot.
Ay me! for aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth. But, either it was different in blood,- Or else it stood upon the choice of friends,- Or, if there were a sympathy in choice, War, death, or sickness did lay siege to it.
You could ask yourself, 'Hey, when you were 20, are you the same person?' You're not. You may have the same values, you might look a little older, you might have some things that are the same, but your heart, everything about you, starts growing, changing - good or bad. It just depends on how you approach life.
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