A Quote by Ken Kesey
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
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One of the beautiful parts about Hamilton is it takes these figures that we've always revered as figures of antiquity and there's real blood flowing through their veins. There's real conflict. There's real life.
No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
If you win elections on the theory that government is always bad and will mess up a two-car parade... a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two-dimensional; they're easy to absorb.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
You don't expect everyone out there watching to believe that this cartoon is real, that this drawing has really come to life. But on some level, you do. You try to cast a spell. You want the world to feel real. It's a nerdy pursuit.
My dad used to draw these great cartoon figures. His dream was being a cartoonist, but he never achieved it, and it kind of broke my heart. I think part of my interest in art had to do with his yearning for something he could never have.
When I was younger, when I was a teenager, the work was more satirical and funny and cartoony. And part of it was chops - if you have a more limited repertoire of stick figures and cartoon characters, they lend themselves more to humor than to tragedy.
I learned through the 'Jack Nicklaus Lesson Tee,' the cartoon. Back then, it was 1970 or '69 when it came out. Learned the grip that way and everything in the cartoon... So that's kind of how it all started for me.
I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
I try to make fun of myself and let people know that I?m a human being, and these things that have happened to me are real. I?m not just some cartoon who exists and suddenly doesn?t exist.
Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don't misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
It has been said that figures rule the world. Maybe. But I am sure that figures show us whether it is being ruled well or badly.
I think you can get away with so much more offensiveness when you're operating behind a stuffed teddy bear or a cartoon or something that's not real, because it's forgiven. It's like having a little kid in a movie curse - it's funny because it's not natural.
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