A Quote by Ken Kesey

Major part of the Southern California pop scene in the 60s
"People think that love is an emotion. Love is good sense." — © Ken Kesey
Major part of the Southern California pop scene in the 60s "People think that love is an emotion. Love is good sense."
I'm a California girl, and I'd love to restore a sense of place to Southern California.
People think love is an emotion. Love is good sense.
I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.
One part of love is innocence One part of love is guilt One part the milk that in a sense Is soured as soon as spilt One part of love is sentiment One part of love is lust One part is the presentiment Of our return to dust
I'm very Southern in the way I walk in the world. I love to laugh. I love to eat. I love to hug people. But if somebody makes me mad, my neck may roll. I can be aggressive with a Southern twang.
If you've had good gin on a hot day in Southern California with the people you love, you forget Nebraska. The two things cannot coexist. The stronger, better of the two wins.
I wanted to be part of a high-class scene of musicians. It was half-inspired because I didn't have many friends, and I was hoping that I would meet people and fall in love and start a community around me, the way they used to do in the '60s.
I like health-conscious cooking, but growing up in the South, I do love southern cooking; southern France, southern Italy, southern Spain. I love southern cooking.
Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and 19th-century British portraiture that you can imagine in Southern California. One doesn't think about Southern California as being the capital of great art.
I feel very lucky that I was part of that whole scene in the '60s and '70s. I love looking at the photographs because everyone was young, and they were so gorgeous to look at.
During the '60s, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered. I think that once you see emotions from a certain angle you can never think of them as real again. That's what more or less has happened to me. I don't really know if I was ever capable of love, but after the '60s I never thought in terms of 'love' again.
I did not believe him capable of love. That is an emotion in which tenderness is an essential part, but Strickland had no tenderness either for himself or for others; there is in love a sense of weakness, a desire to protect, an eagerness to do good and to give pleasure--if not unselfishness, at all events a selfishness which marvellously conceals itself; it has in it a certain diffidence.
I knew, deep down, that love, though a beautiful beginning, isn't enough. It's the practice of honoring and caring for another that's noble, not the emotion of love itself. The emotion is the easy part.
When I personally feel like I belong to the world, it is because I am with people I love in places I love. So I decided that would be my solution. I set All the World in a place I love - the central coast region of Southern California - and populated it with people and things that I love. I stopped worrying that I wasn't representing every place, every person, every possible experience. And I hoped that through this personal expression of mine, others would find their own personal meanings as well.
I love to listen to pop music and I admire people who do that, but I don't think I would ever be a very good pop star. I always leave that singing voice for the shower! I wouldn't put it out in the world!
Unconditional love really exists in each of us. It is part of our deep inner being. It is not so much an active emotion as a state of being. It's not 'I love you' for this or that reason, not 'I love you if you love me.' It's love for no reason, love without an object.
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