A Quote by Ken Keyes Jr.

To see your drama clearly is to be liberated from it. — © Ken Keyes Jr.
To see your drama clearly is to be liberated from it.
Having written Camp David as a drama, I could see the drama maybe a little more clearly when I wrote the book.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
If you see the intersection of time and space, you experience complete freedom of being. This state of existence is completely beyond any idea of time, space, or being. In that liberated state you can see fundamental truth and the phenomenal world simultaneously. That is called Buddha's world. That is the place where all sentient beings exist, so you can stand up there and see all beings, myriad beings. Then you know very clearly, through your own emotional and intellectual understanding, how all beings exist.
When you can clearly see yourself being there, you can see much more clearly how to get there. You can imagine the path to your dreams, and then start to actually walk it. Play an active role in your own future. Imagine with passion and detail how you'd most like it to be.
I literally grew up in drama. I used to watch drama - the catharsis of the play - then see drama at home.
I usually choose movies that I would want to see. I appreciate drama and if the right script came across my desk, drama you will see.
Self is not liberated. It was never bound. What gets liberated are the demons as well as gods of your mind. Set them free. You are sick of playing with the game. Be willing to not play the game. This takes huge resolve.
Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.
Whatever art form you're working in, it's crucial to see it clearly, to feel it clearly, and not to worry about the results, or how someone else will see it.
You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.
Before you begin a thing, remind yourself that difficulties and delays quite impossible to foresee are ahead. If you could see them clearly, naturally you could do a great deal to get rid of them but you can't. You can only see one thing clearly and that is your goal. Form a mental vision of that and cling to it through thick and thin.
A flash of enlightenment offers a preview of coming attractions, but when it fades, you will see more clearly what separates you from that state - your compulsive habits, outmoded beliefs, false associations, and other mental structures. Just when our lives are starting to get better, we may feel like things are getting worse - because for the first time we see clearly what needs to be done.
[We] make images to see clearly: then we see clearly what we have made.
Some eyes want spectacles to see things clearly and distinctly: but let not those that use them therefore say nobody can see clearly without them.
By using your heart as your compass, you can see more clearly which direction to go to stop self-defeating behavior. If you take just one mental or emotional habit that really bothers or drains you and apply heart intelligence to it, you'll see a noticeable difference in your life.
Truth in drama is forever elusive. You never quite find it, but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task.
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