A Quote by Ken Liu

The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.
I read and write speculative fiction because I want to go someplace really different.
I write speculative fiction, and in my view, speculative fiction is really just a very intense version of the work of literature in general.
Speculative fiction is where my heart lies. It's what I read growing up, and it's what I read as an adult.
My final remark to young women and men going into experimental science is that they should pay little attention to the speculative physics ideas of my generation. After all, if my generation has any really good speculative ideas, we will be carrying these ideas out ourselves.
If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.
While Fledging is a different type of book, The Parable series serve as cautionary tales. I wrote the Parable books because of the direction of the country. You can call it save the world fiction, but it clearly doesn't save anything.
The best thing about writing speculative fiction is the opportunity to satirize the whole wide world. The America in 'A Better World' isn't ours, but it's pretty close, so I could lampoon everything from partisan politics to the cult of celebrity to our general disaffection. To me, all that is the point.
I wrote speculative fiction because I loved to read it, and thought I could do better than some of the people who were getting published.
Until you separate the speculative behaviour of the financial sector from the real economy and the financing of the real economy, then we are not going to see the kind of stability or the capacity to drive genuine, income-led growth as opposed to debt-fuelled, speculative behaviour.
Different parts of the world have different attitudes to failure. Arguably, it may take more courage to be an entrepreneur in Sydney, or Paris, or London, or Japan, or Singapore... but an entrepreneur sees the world for what it could be, not what it is.
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
When I read the statements of Christ, there seems to be this urgency and intensity. I guess that's what I get out of it when I read the tone of the Scriptures, which is very different from the tone of our culture.
When I read the statements of Christ, there seems to be this urgency and intensity. I guess that's what I get out of it when I read the tone of the Scriptures, which is very different from the tone of our culture.
I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.
Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.
We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film].
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