A Quote by Ken Livingstone
It would actually be quite nice if the American ambassador in Britain could pay the [congestion] charge that everybody else is paying and not actually try and skive out of it like some chiselling little crook.
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Raising the congestion charge won't necessarily make a difference. Rather than increasing the amount you pay in congestion charge, we should be thinking about an ultra low emission zone. We should penalise those cars who are the biggest polluters and reward cars that don't, like electric cars.
My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.
One of the things I try to do is take seriously some of the forms of American religion that people consider to be shallow and try and figure out why they have such a strong appeal and tease out the theology they actually represent.
What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
I know I've got to pay some tax, but I hate the fact that they collect millions of pounds a day from the congestion charge and I don't see anything or anyone benefitting from it. Where are the new hospitals?
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.
Probably my first couple years in the league, I started paying more attention to what I was wearing. Once I got a few bucks in my pocket and I could afford some nice things, and you get to go, 'OK, let's try some of these things.' And once you try something you like, you probably don't change it much.
I don't want to sound like an old grandmother but actually it's quite nice when you get up early and then, by the time it gets to 10am, you're quite perky and already quite switched on.
Like everybody, I started out doing 'bringer' shows - the kind where if you show up with a certain number of people, you get to perform. Sometimes I would actually pay strangers off the street to come in and see my set.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
Everybody would like to be good, that's the silly thing, everybody always likes it when they're having a nice time or when they're happy or when it's sunny, they all dig it; but then they go and forget about it, they never really try to make it nice. They think that it just comes along and it's nice if you're lucky, or if you're unlucky it's bad for you.
People'd be like, "Oh, spending taxpayer money." It's like, "No, no, I actually I'm paying for all of this. The only thing I don't pay for is Secret Service and an airplane."
But I don't really care for directors flaring up and trying to humble some actor, which they would do to try and make an example out of them so everybody else would stay on the ball - and David wasn't anything like that.
There are five different ways you can do it. You can do it through not giving them the subsidy that we pay them. You know, we pay Mexico a subsidy. I don't know if you know. But the whole thing is ridiculous. We're paying everybody subsidy. We actually have a small portion of China where they get a subsidy from us because they haven't ended it for years.
My personal tastes... I actually like quite a bit acoustic and more mellow kinds of things. I quite like American music, like The Fray, I'm a massive fan of them, and The Killers.
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