A Quote by Ken Robinson

You don’t think of Shakespeare being a child, do you? Shakespeare being seven? He was seven at some point. He was in somebody’s English class, wasn’t he? How annoying would that be?
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
Often in America people would assume that [as an English actor] you've had some sort of deep, classical training, or that you're a Shakespeare enthusiast. I have zero interest in me performing Shakespeare.
Shakespeare's always been sitting on my back, since I began reading. And, certainly, as a writer, he's who I hear all the time. And he's almost indistinguishable now from the English language. I have no sense of what Shakespeare is like. I have no sense of the personality that is Shakespeare. I think, alone among writers, I don't know who he is.
Shakespeare is absolutely big in Africa. I guess he's big everywhere. Growing up, Shakespeare was the thing. You'd learn monologues and you'd recite them. And just like hip-hop, it made you feel like you knew how to speak English really well. You had a mastery of the English language to some extent.
It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
By the time I was seven, I did a sonnet at Shakespeare's Globe theatre for Shakespeare's birthday because my dad had been at the first season of the Globe and was friends with the artistic director. Somehow, that lead to me doing a sonnet!
There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before.
A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
In all religions, we hear of the Seven Planetary Genii: the Hindu tells of Seven Rishi, the Parsi of Seven Ameskaspentas, the Mohammedan of Seven Archangels, and our Christian religion has its Seven Spirits before the Throne.
There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.
I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.
We went from being seven kids to being the seven most famous children in the world.
I'm one of those people that feels that Americans that shouldn't do Shakespeare... The rhythms of the English language and the mannerisms of the English speech seems to work effortlessly with William Shakespeare, but when Americans do it, something seems stuck.
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