A Quote by Ken Rockwell

No matter how advanced your camera you still need to be responsible for getting it to the right place at the right time and pointing it in the right direction to get the photo you want.
Rehearsals are set up so that you find out all the nuances about your character. You never want to beat yourself up. It's about finding the right direction, and most of the time, the right direction is not what you think is the right direction. That's why the director's there: to guide you there.
I feel like we cheated... because you read about these other directors, just like, 'Damn! They paid dues for 10 years before they got to get behind the camera.' We cheated because technology was in the right place at the right time, and we were alive at the right age at the right time for us to take advantage of that.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
The world is a fickle place, and it's not fair. But if you're getting most of your rewards from you, then you can use that as a kind of compass, and you can be secure in the fact that you're working for the right reason, and you're going in the right direction.
Get it wrong, and we call it a cult. Get it right, in the right time and the right place, and maybe, for the next few millennia, people won't have to go to work on your birthday.
I'm paid to be lucky and that means making your own luck - getting yourself in the right position, in front of the right subject at the right time, and in the right light.
F8 And Be There! For years, this was the cry of the photojournalist. It meant that 90% of a great photo was being in the right place at the right time. True, it was simplistic, but in the Age of Photoshop, this maxim is too often forgotten. No matter how much you play with the bits and bytes, the best images always start out with a great vision, clearly and cleanly seen.
The best results are achieved by using the right amount of effort in the right place at the right time. And this right amount is usually less than we think we need.
They say the secret of success is being at the right place at the right time, but since you never know when the right time is going to be, I figure the trick is to find the right place and just hang around.
I am just going to keep getting in the right place at the right time and try and get more goals.
All movies are alchemy and time is one of the ingredients that goes into the alchemy. You want the time to be right; you don't want to rush it. You need the right script, the right cast and the right feeling in the culture.
Everybody has own gifts from God. You just need to seize the right time, right place and right person to be found.
You need to have explosive power. So you need to have good agility to move your feet quick and be in the right place at the right time. So you have to be an overall athlete: you need to be in shape to be able to throw.
Going through war and living is a very important process. You realize how vulnerable you are and how lucky you are to be in the right place at the right time. As a matter of fact, I have a history of luck.
You try to make them comfortable so they can do what they're best at, and make them shine. You always want to make an actor shine. I'm of the mind that there's no one - you, your mother, anyone, that if in the right place at the right time in the right context, couldn't shine in a movie. And so if it means, "Oh, I have to make them uncomfortable," then whatever it takes to get what I need up onscreen. It's all in the service of the story.
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