A Quote by Ken Starr

We were in Little Rock. We were assessing a very important issue. In the midst of our discussions, we were receiving urgent inquiries from The Washington Post asking about interviews.
In September, I left the show. We were going through discussions and negotiations, and I had been on the show for about 11 years, and there were some things that I was asking for that I didn't feel were the moon or the stars.
I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.
Some years ago our Japanese counterparts asked us to resume the discussions of the issue and so we did meeting them halfway. Over the passed couple of years the contacts were practically frozen on the initiative of the Japanese side, not ours. At the same time, presently our partners have expressed their eagerness to resume discussions on this issue [the Kuril Islands].
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
Back from 2001 to 2003, I wrote multiple editorials for The Washington Post about biological warfare and pandemic preparedness - issues that were at the top of everyone's agenda in the wake of 9/11 and the brief anthrax scare. At the time, some very big investments were made into precisely those issues, especially into scientific research.
Were this not Texas, were there not a state where there were no protections at all and where the law was clear on that, I think CBS and Mary Mapes and Dan Rather and all of us had a very good chance of winning. So this is an ongoing battle about an issue of principle.
Don't let the urgent take the place of the important in your life... When you and I were putting out the fires of the urgent, the important was again left in a holding pattern.
I stopped doing interviews for a long time because the words were mine, but they were in the wrong order. Context is a very important thing - a lot of the things I say aren't serious, and so to remove the laughter does me no favours.
Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
I did not feel very patriotic. I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.
I was born and raised in the Midwest, where people were taught that decency and integrity and community were all important values. We were democrats with a little 'd.'
From the very beginning, we were all a hundred and ten percent about the music, from the very early days when we could barely play our instruments, and we were just covering other people's songs when we were in high school.
I remember the first 'fan expo' we did for 'Killjoys,' we were so new, there wasn't a lot of information out yet. But there were so many fans so excited already. And they were asking really intellectual questions about the show.
The press Yazoo were receiving were focused on the voice, This obviously was about trends.
Our friendship was like our writing in some ways. It was the only thing that was interesting about our otherwise dull lives. We were better off when we were together. Together we were a small society of ambition and high ideals. We were tender and patient and kind. We were not like the world at all.
I'm pretty interested in documentary film, and I'd watch almost anything. At some point, I stumbled upon 'shoot interviews' and found out that wrestlers were now talking openly about things that were going on in wrestling that we as viewers were not privy to. This fascinated me.
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