A Quote by Ken Wilber

...we cannot simply recommend love and compassion per se, for those unfold from egocentric to ethnocentric to worldcentric, and do we really want an increase in ethnocentric love?
I would like travelers, especially American travelers, to travel in a way that broadens their perspective, because I think Americans tend to be some of the most ethnocentric people on the planet. It's not just Americans, it's the big countries. It's the biggest countries that tend to be ethnocentric or ugly. There are ugly Russians, ugly Germans, ugly Japanese and ugly Americans. You don't find ugly Belgians or ugly Bulgarians, they're just too small to think the world is their norm.
What is love? It is not simply compassion, not simply kindness. In compassion there are two: the one who suffers and the one who feels compassion. In kindness there are two: the one who gives and the one who receives. But in love there is only one; the two join, unite, become inseparable. The I and the you vanish. To love means to lose oneself in the beloved.
A certain moral imbecility marks all ethnocentric movements.
Paradoxically, we have become so ethnocentric in our relativism that we feel it is only okay for others - not us - to think their religion is superior!
How can anyone love someone who is less than a full person, unless love itself is domination per se?
Since the time of Homer every European, in what he could say about the Orient, was a racist, an imperialist, and almost totally ethnocentric.
I fall in love with contradictions without understanding. I can't really portray them unless I do. So in a roundabout way I have to fall in love, it's my duty. If love is about understanding and understanding is compassion and compassion is love, I have to have compassion towards the world.
What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.
The year showed me beyond a doubt that everyone practices cafeteria religion... But the important lesson was this: there's nothing wrong with choosing. Cafeterias aren't bad per se... the key is in choosing the right dishes. You need to pick the nurturing ones (compassion), the healthy ones (love thy neighbor), not the bitter ones.
I love the NFL. I don't have a team per se, but I'm into it.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
The face of love is variable. I am able to love without demanding that my relationships assume the structures and forms I might choose for them. My love is fluid, flexible, committed, creative. My love allows people and events to unfold as they need. My love is not controlling. It does not dictate or demand. My love allows those I love the freedom to assume the forms most true to them. I release all those I love from my preconceptions of their path. I allow them the dignity of self-definition while I offer them a constant love that is every variable in shape.
I don't necessarily love the sports per se, I love the stories behind them. Also in a kind of perverse way I like to study what it does to us, why we care so much. It's caring about something that's utterly meaningless.
Gaia's main problems are not industrialization, ozone depletion, overpopulation, or resource depletion. Gaia's main problem is the lack of mutual understanding and mutual agreement in the noosphere about how to proceed with those problems. We cannot rein in industry if we cannot reach mutual understanding and mutual agreement based on a worldcentric moral perspective concerning the global commons. And we reach the worldcentric moral perspective through a difficult and laborious process of interior growth and transcendence.
Falling in love is awesome, but I'm never drawn to happy songs per se, so whenever you sit down to write a heartbreak song and you're happily in love, it's like, 'OK, now I have to go back to a sad place to get something good.'
I don't want to take all the time. I just want to do what you wrote and let me go from there. I don't want to miss something. You know, I'm not really a writer per se, but I can write. But I can't put a script together like they can.
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