... they are structures that we build every time we engage in a thought that's just a little bit higher than a thought we had a moment before, or an activity that's just a little bit more noble than the activity we engaged in a moment before.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Our hope is that every single day the work we're doing is helping to make the American people just a little bit safer, a little bit more prosperous, a little bit healthier.
On a film you can really get away with learning the scene the night before and that's often just not possible with TV, so you have to be a little bit more prepared a little bit more in advance.
Every time I go out to do shows, it just becomes a little bit more real and a little bit more full, so I'm excited just to see it hit its next level.
I had my nose done four times. I've had a little bit of filler before, a little bit of Botox before. So I have been a patient, not in my own hands, obviously.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
Let the moment go. . . . Don't forget it for a moment, though. Just remembering you've had an "and" when you're back to "or" makes the "or" mean more than it did before. . . . Now I understand! And it's time to leave the woods.
'Break of Dawn,' musically, is still soulful and eclectic, but I think I opened up a little bit more vocally. It's a little more intimate. It's a little more sensual than before - and pensive.
I tend to be a little bit more quiet and just to myself. I'm a little bit more introverted than extroverted.
I believe I've accomplished my goals of trying to get better every year, and a little bit of that, a little bit of luck, a little bit of everything just falls in place, and you end up on top.
When you have these moments where a song connects with people and creates a conversation, it's quite a humbling experience because it's like, 'Maybe there is a little bit more weight to this job than I thought there ever was before.' Which was wonderful that that happened with 'Dead Boys.'
I would say I'm more patient, way more patient than I was when I came in [to the league], before the injuries. But I think just going through everything, just maturing a little bit more, getting older, you start to see what it is and I'm good.
I think the model that I look at is someone like Jakob Dylan, whose dad is obviously every bit if not more famous than mine. He's a guy who sought to build a career on his own, doing something that's a little bit different than what his father does.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
Every moment of one's existence one is growing into more or retreating into less. One is always living a little more or dying a little bit.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'