A Quote by Kendall Jenner
I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that.
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I don't know - I feel like someone would think of me, or anyone in my family, as unappreciative of a moment, and I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that. I like to go outside at night by myself and look at the sky and just appreciate it. I'm not that big of a weirdo, but - occasionally.
We tend to take things for granted that we've had for long periods of time. Take a moment to appreciate the person in your life. Realize why you are with them. Take a moment with them and really be in that moment completely.
It's one of those weird things where I'm always curious about what's next. It's not just an empty restlessness, I try to appreciate things as they're going along and in the moment, but when things are good, I'm always anxious about how I can better that or take it on further.
I do a lot of weird movies that maybe you don't like and I experiment a lot but maybe I do appreciate the process and I think my greatest joy in this business is that I have had the ability to screw up in a lot of really interesting films!
A lot of times it's the child that sees something and not the grownup. I love that because, when readers get older, they start looking for the most important ideas in the story. They don't look at things in the same way anymore. Children haven't really learned to do that yet. They take all their great, intellectual skills, look at the full page, and appreciate all of the different things.
I’ve learned that a storm isn’t always just bad weather, and a fire can be the start of something. I’ve found out that there are a lot more shades of gray in this world than I ever knew about. I’ve learned that sometimes, when you´re afraid but you keep on moving forward, that’s the biggest kind of courage there is. And finally, I’ve learned that life isn’t really about failure and success. It’s about being present, in the moment when big things happen, when everything changes, including myself.
Adventure games are all about details - if you happen to take this one object and use it with this other object, in a really weird place, at a weird time. If you happen to write a really funny dialogue line for that, even if it didn't solve the puzzle, people will appreciate that.
If you have the opportunity to play this game of life you need to appreciate every moment. a lot of people don't appreciate the moment until it's passed.
I feel like the thing that I've learned a lot is when you're involved in something, you don't always get to appreciate it for what it is as much. You're focused on the details and how you can make it better. It's kind of torture.
For a long time growing up, I thought that everything happens for a reason and it's kind of already written. But as I've grown and learned various things, I think that the most important moment is the one that you're in, and that's the only moment that matters, that you can really control. The future is unknown, and the past is history.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I do appreciate the '80s as an era, the general sounds and aesthetics of the era. The Cure, that whole kind of image is really kind of amazing, I think. The power ballads and how everything sparkles and words are really dramatic. Huge drums, things like that. I do really find it inspiring.
When I started Instagram, I kind of just did what I like to do or to show the things I like, whether it be sneakers or weird flowers, have the little drops of myself and my style kind of fluidly throughout. That was really helpful in starting and carving out my own place.
I learned that the acting I really like is when the actors did a lot of bringing themselves, and where they're at at the moment, to the character.
I think that what I learned then, I didn't know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema. It was like watching the invention of cinema. But I found out that Pasolini taught me a lot. It was, especially, the kind of respect that he had for reality. He had kind of epiphanies in his movies, like when a moment becomes full of grace, and it is like as if it was the most important moment in the life of a character.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
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