A Quote by Kendrick Lamar
The majority of my interactions with police were not good. There were a few good ones who were actually protecting the community. But then you have ones from the Valley. They never met me in their life, but since I'm a kid in basketball shorts and a white T-shirt, they wanna slam me on the hood of the car. Sixteen years old.
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We met in the summer or fall of 2001. I had never met Kate [DiCamillo], though I'd heard her name, and I think she knew of me too. We were laughing within a few minutes, I mean really, furiously, laughing. So we were off to a good start.
We were raised in the black community not to trust the police, and I believe, in the white community, they were raised to actually be a policeman.
There were sirens and the cops were there and they took me to the police station and I got arrested, it was really embarrassing. They actually just- they impeached me over the whole thing, they tried, well, they did impeach me, but I didn't have to actually stop being president, so it was okay. The police weren't actually that involved, it was mostly Congress.
The one good thing to be said about announcing yourself as a writer in the colonial Canadian fifties is that nobody told me I couldn't do it because I was a girl. They simply found the entire proposition ridiculous. Writers were dead and English, or else extremely elderly and American; they were not sixteen years old and Canadian.
I don't like dressing up. If it were up to me, I'd step out in my shorts and ganji and chappals. The maximum I'd wear are my white shirt and my blue shorts and my shades and I'd step out.
I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
A lot of people think that I and Debina met while filming for 'Ramayan,' and then we got married in 2011. Very few know that when we were nothing, we weren't actors, we were only looking for work - we were just 19 and 20 years old, we eloped and got married, in 2006. We did not tell our parents.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
It's always intrigued me that amidst the group called slaves there were individuals who were extremely able, who were extremely colorful, who were powerful personalities, who by no means fit the usual images of slaves. They were people who, through their personalities and abilities, were very respected in the community where they lived by both black and white.
You need better relationships between the communities and the police, because in some cases, it's not good.But you look at Dallas, where the relationships were really studied, the relationships were really a beautiful thing, and then five police officers were killed one night very violently.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
When I was growing up, officers in uniform were very impressive to me. They were doing a job. They were protecting our country; they were heroes. When you wear an old military jacket, there's some sort of connection to those qualities - to being strong, to being tough, to being a warrior.
I never met anybody who said when they were a kid, I wanna grow up and be a critic.
Somebody told me a story where they met a celebrity when they were six years old, and the celebrity was really mean. They still remember that to this day. I never want some 22-year-old in ten years' time to say, 'I met Madelaine Petcsh, and it ruined my idea of celebrities,' so I'm always aware.
As a kid in the eighties, I didn't need much disposable income. I went to Catholic school - white shirt, plaid skirt - so fashion choices were limited. But youth finds a way. For me and my schoolmates, neon argyle socks were a crucial barometer of coolness. Hair ribbons, too, and they didn't come cheap.
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