A Quote by Kengo Kuma
EMBRACING THE EXISTING Japanese perspective on urban history and context
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The Senkaku Islands are an integral part of Japanese territory based on international law as well as in the context of our history.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
It is simply that we treat Japanese history, the history of the Japanese people and its unique culture with greater respect and interest. This generates enormous interest in Russia!
There's a long history of anthropomorphic animals in Japanese literature. The so-called 'funny animal scrolls' were the first narratives in Japanese history, and the heroes of many folk tales have animals as their companions.
Cities tend to be representations of societies: diversity and inequality find their extremes in urban settings. Yet, when war is added onto pre-existing inequalities, high levels of poverty, or even disaster, urban fragility increases exponentially, making it harder to absorb the shocks of warfare.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
[talking about the Holocaust] 'But to put something in context is a step towards saying it can be understood and that it can be explained. And if it can be explained that it can be explained away.' 'But this is History. Distance yourselves. Our perspective on the past alters. Looking back, immediately in front of us is dead ground. We don't see it, and because we don't see it this means that there is no period so remote as the recent past. And one of the historian's jobs is to anticipate what our perspective of that period will be... even on the Holocaust.
I speak from a nerd's perspective because I've been watching anime since I was a kid. I grew up on 'Speed Racer' and 'Star Blazers' and 'Battle of the Planets,' and those were some of my first A) cartoons and B) introduction to Japanese couture before I even knew they were Japanese.
The work of television is to establish false contexts and to chronicle the unraveling of existing contexts; finally, to establish the context of no-context and to chronicle it.
Fantasy is only a state of mind that you can employ when existing in a real context.
We were talking about urban youth. And by urban I mean lives in a city not urban as in black like white people use it.
My key to living an inspired life involves Embracing my history, Understanding the function of expectations and gently learning to have none; Recognizing the power of attentive and conscious choices. In all circumstances I acknowledge this, IN ALL THINGS AND ALL WAYS, I HAVE CHOICE. My choice resides in my perspective. While I certainly do not control climate and markets and roadways and others, I do control myself and my response to all those circumstances. I do indeed.
Genius, throughout history, has been found difficult to classify because it varies in amount: It's rare to find a genius in the context of the noun, but most people, if not all, have a bit of genius in them in the context of the adjective.
My grandmother lived under Japanese colonial rule until she was nine. Korea, still united and whole, was colonized in 1910. During this period of forced occupation, Japanese teachers taught Korean students how to view the world through their imperialist language, their history, their foreign tongue.
Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.
George Carlin maintained that anything and everything is funny given the right context. This context also includes your own history with a given group. What I can get away with and where I can go is not a problem with my audience because they know me.
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