A Quote by Kenneth Branagh
One of the problems with Shakespeare is that you can never give him a ring.
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Mostly, I hope that by having some fun with Shakespeare's style I'll encourage young people who are intimidated by Shakespeare to give him a try.
Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true.
Adrian Neville, who's my best friend, I rode with him on the road. He was the most crisp, athletic, poignant guy - never missed a step. It was insane. I had never seen anybody who could move in a wrestling ring like him; it was like second-nature to him. Flips - name it - agile jumping in and out of the ring effortlessly to the top rope like crazy.
One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.
When you approach your baby with an attitude of respect, you let him know what you intend to do and give him a chance to respond. You assume he is competent and involve him in his care and let him, as much as possible, solve his own problems. You give him plenty of physical freedom and you don't push development.
I have watched Brock Lesnar for a really long time and I thought I knew how strong he was, I thought I knew how fast he was. Being in the ring with him, he is a completely different animal. He is a beast. They call him the Beast Incarnate and that is real. Whether you are in the Octagon with him trading fists, or in the ring trading German suplexes it is on another level. It was a pleasure and I am glad I got to be in the ring with him and i think I proved to the entire world I can hang with the guy.
The wedding ring on my left hand was bought by my grandfather, Samuel Miliband, in Brussels in 1920. I never knew him, as he died when I was one. But his ring was kept by my aunt until it was placed on my finger by my wife Louise 32 years later.
Shakespeare . . . If he does not give you delight, you had better ignore him [if you can].
I want to give you something.” He slid the ring off his finger. “Up until this week, I’ve never wanted anything more in my life than to wear this ring. Not as a piece of jewelry, but because I thought I could find meaning in saving others, in being a hero. But the meaning I’ve finally found in my life is from meeting you.” He set the ring on the palm of his hand and held it out. “I want you to have it.
Hotels are the only proper places for lecturers. When I am ill-natured I so enjoy the freedom of a hotel where I can ring up a domestic and give him a quarter and then break furniture over him.
I want to let you in on a little secret. There are no problems. There are no problems. There never were any problems, there are no problems today, and there will never be any problems. Problems just mean that the world isn't turning the way you want it to. But in truth, there are no problems. Everything is unfolding as it should. Everything is right. You have to forget about yourself and expand your consciousness until you become the whole universe. The Reality in back of the universe is Pure Awareness. It has no problems. And you are That.
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
You have to go in there and hit him. Show him that his tactics don't work. Bernard Hopkins is a fighter that you have to get straight to the point with. You can't lollygag and bullshit because that's his game. Being serious and doing my job throwing punches in the ring, that's my game. I don't come to put on a show for the people. I come to give the people a fight and give them their money's worth; give them real entertainment.
Simon had never noticed before, but she wore a silver ring on her right hand, with a partner of flames around the band of it, and a carved L in the center. It reminded him of the ring Clary wore around her neck, with its design of stars. "It's the Lightwood family ring," she said, noticing where his gaze was fixed. "Every family has an emblem. Ours is fire.
One of the reasons [William] Shakespeare is so endlessly fascinating is that you can look at that figure from about 10 different angles: Caliban in Shakespeare's day was probably viewed as a sort of comic, barbarian type, but into the 19th century there were productions where Caliban was the hero. He's a potential rapist of a minor. Is that a good thing? No, it is not. On the other hand, Prospero's got him cooped up in a cave and tortures him if he doesn't do what Prospero wants. Is that a good thing? No. Shakespeare doesn't let you off easy.
Could Shakespeare give a theory of Shakespeare?
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