A Quote by Kenneth Branagh

Certainly, I'm excited by epic subjects. It doesn't particularly frighten me. — © Kenneth Branagh
Certainly, I'm excited by epic subjects. It doesn't particularly frighten me.
I am certainly not allergic to causes - particularly on subjects such as religious intolerance.
Exploring female rage on film doesn't frighten me - it might frighten a lot of people in my business, but, gosh, I know a lot about that, from personal experience and friends' experiences.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
Most people think of cinematographers as choosing subjects of an epic nature to show off what they do - big, sweeping images of war or pageantry.
I was talking to different labels: Columbia, RCA , Epic. I decided not to sign with Epic even after L.A. Reid offered me a crazy deal.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
I have a dormant director in me. I do think about subjects and films I want to make. I get pretty excited about them.
I don't claim to be a particularly good father. I'm flawed, let's say. I've certainly been affected by the experience of having kids... trying to be a father, at least. It's an amazing process. It's like songwriting: it's a complete mystery to me. I don't understand it - but I've certainly written about it.
First of all, God inspires me, where he's brought me, it blows my mind. To know that He brought me this far, it could not have been an accident, to go forward, I'm excited to leap into the void, I'm excited about tomorrow, the unknown, excited to see what else He has for me.
'Temeraire' is a terrific meld of two genres that I particularly love - fantasy and historical epic.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
I think it is our job, as writers, to be epic. Epic and tiny at the same time. If you're going to be a fiction writer, why not take on something that means something. In doing this, you must understand that within that epic structure it is the tiny story that is possibly more important.
I was never particularly academic, so it was no great surprise when I failed my 11-plus and consequently went to Wibsey Secondary Modern. I did all right in English, history and music, which were the subjects that most interested me.
I have always chosen subjects which are little different, and not subjects that you see. That challenges me and the actors who work in the project.
The epic disappeared along with the age of personal heroism; there can be no epic with artillery.
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