A Quote by Kenneth C. Griffin

One of the great advantages that I had in my career is I started trading 24 hours a day in my early 20s, and I had to learn to delegate to people. — © Kenneth C. Griffin
One of the great advantages that I had in my career is I started trading 24 hours a day in my early 20s, and I had to learn to delegate to people.
One of the advantages I've had as an interpreter - because I'm not a composer - is I've had the fortune of working with great composers. Armando Manzanero, Rafael Perez Botija, Manuel Alejandro. These are the people who have built my career.
For the first time in my life, in my mid-20s, I started to question things. Had I been deceived? I thought I had been destined for something great - to be Whitney Houston or Jennifer Holliday or Phylicia Rashad. I started to realize that a lot of people think that, and it doesn't happen for almost everyone.
We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.
Every town in America had at least one, two, or maybe three radio stations that played rock 24 hours a day. In England, we had a rock specialist on for two hours a week.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
Two things seemed pretty apparent to me. One was that in order to be a pilot a man had to learn more than any one man ought to learn; and the other was that he must learn it all over again in a different way every 24 hours.
Here I found myself in my early 20s, at the height of my career, up against something I was totally powerless against. I had enemies I had never heard of because of this. I certainly didn't have needles hanging out of my arms, nor did I smoke anything.
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
If I was performing, I had no pain. But you can't stay on stage 24 hours a day.
Fairly early in my career, I had a passion for wine just as a consumer, and I started to learn about the whole process, starting with a piece of raw ground, and ending up with a work of art in a bottle.
People will work eight hours a day for pay, 10 hours a day for a good boss, and 24 hours a day for a good cause!
Looking back, I feel very fortunate to have had such a long career. Many skaters end their careers in their early 20s. I had the opportunity to go to two Olympic Games - almost three after being the alternate in 1994 and then in 2006 being injured.
The Beatles had a six-year career, from 1963 to 1969, which - to me, in my early 20s - seemed like a phenomenally long time.
When I was a kid, I just devoured TV 24 hours a day. Now that it's actually available 24 hours a day, I'm usually busy doing other stuff. But I do watch TV when I can.
Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
Learn from the past, but don't live there. Build on what you know so that you don't repeat mistakes. Resolve to learn something new every day. Because every 24 hours, you have the opportunity to have the best day of your company's life.
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