A Quote by Kenneth Clark

It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things because he drew so well. — © Kenneth Clark
It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things because he drew so well.
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
We knew about black holes in other ways, and we knew about neutron stars - well, those are the two things that ultimately got seen.
You hear people say, 'Well, I was going to say this, but I knew I couldn't get through it without crying.' Well, like, think of all the great things we didn't hear because of that.
[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
Some of the things I have written about are a way of connecting with my father - I know he knew who Idi Amin was, and I know he knew who Longford was. And I know he knew who Nixon was, because shortly before he died, I talked to him about Watergate.
I went to an art high school in Washington D.C., and I majored in visual art. When I started there, I was horrible - couldn't draw, couldn't sketch, couldn't do anything. I remember at one point I came to terms with the fact that I had to work my ass off to do well and that's exactly what I did. I drew and drew and drew, and it worked - I ended up getting the award for best artist and went on to apply to design school because I loved it so much. I think it really speaks to the idea that you can in fact excel at whatever you put your mind and your heart to.
I was kind of a volatile personality, very intense. Because of that, I drew some criticism and people would say things about me, and my parents had tried to defend me. I would just tell them don't worry about it. Our day will come.
I felt like all of the American people did not believe me because of the things that were said about me, and said that people would say that it was just for the money, and it wasn't about the money. It was about what he did to me. And I knew I was telling the truth.
I drew pictures for and about the soldiers because I knew what their life was like and understood their gripes. I wanted to make something out of the humorous situations which come up even when you don't think life could be any more miserable.
I've grown up well, partly because there weren't great girls' literature - Nancy Drew, maybe - but there weren't things. So there was Huck Finn and "Spin And Marty." The boys characters were interesting and you lived through them when you're watching it.
Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there. ~Sadie Kane, about Lacy and Drew of Aphrodite cabin.
At an early age, I knew there were a lot of things I couldn't do. My father was a doctor, and my mother was a teacher. I knew I wasn't good in numbers, and I knew I wouldn't work well in overly structured environments.
The stupidest thing she knew was for people to act like they knew all about the things they knew absolutely nothing about.
To me, the housewife who puts her teacups unwashed in the sink because her husband won't wash them, is political. Every act is political: the things you do, as well as the things you omit doing; the things you refuse to do; the things you fail to do; the things you say, as well as the things you don't say.
I knew that I needed to do something that I desperately loved. There was a period where I did question if it was acting because I knew that I would be making things hard on myself. I knew that there was going to be a little bit of a hullabaloo because of my dad being who he is and all that.
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