A Quote by Kenneth Clark

Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. — © Kenneth Clark
Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it.
Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.
The invention of photography has dealt a mortal blow to the old modes of expression, in painting as well as in poetry, where automatic writing, which appeared at the end of the nineteenth century, is a true photography of thought. Since a blind instrument now assured artists of achieving the aim they had set themselves up to that time, they now aspired, not without recklessness, to break with the imitation of appearances.
The greatest invention of the nineteenth century was the invention of the method of invention.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
Given that the nineteenth century was the century of Socialism, of Liberalism, and of Democracy, it does not necessarily follow that the twentieth century must also be a century of Socialism, Liberalism and Democracy: political doctrines pass, but humanity remains, and it may rather be expected that this will be a century of authority ... a century of Fascism. For if the nineteenth century was a century of individualism it may be expected that this will be the century of collectivism and hence the century of the State.
The nineteenth century was the last moment in history when a relatively educated layperson could follow what was going on in the world of science and invention to a wide degree. Also, there were no "professionals". This was a time when amateur explorers, naturalists and enthusiasts were are still making major contributions to progress.
In antiquity there was only silence. In the nineteenth century, with the invention of the machine, Noise was born. Today, Noise triumphs and reigns supreme over the sensibility of men.
The most revolutionary invention of the Nineteenth Century was the artificial sterilization of marriage.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
These 21st-century 'teavangelicals,' who represent a considerable segment of the Republican party, are vastly different from their 19th-century forebears. Nineteenth-century evangelicals were concerned with societal ills such as temperance, slavery, the rise of industrialisation and suffrage.
The Bible must be the invention of either good men or angels, bad men or devils, or of God. It could not be the invention of good men or angels, for they neither would or could make a book, and tell lies all the time they were writing it, saying, 'Thus saith the Lord,' when it was their own invention. It could not be the invention of bad men or devils, for they would not make a book which commands all duty, forbids all sin, and condemns their souls to hell for all eternity. Therefore, I draw this conclusion, that the Bible must be given by divine inspiration.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are.
The scientific facts, which were supposed to contradict the faith in the nineteenth century, are nearly all of them regarded as unscientific fictions in the twentieth century.
The market town of Cheltenham, in Gloucestershire, was a popular 19th - century English spa. Its mineral springs were supposed to be good for you. This was before the invention of bran. In the 20th century, Cheltenham grew into an active municipality.
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