A Quote by Kenneth Clark

Almost all great painters in old age arrive at the same kind of broad, simplified style, as if they wanted to summarise the whole of their experience in a few strokes and blobs of colour.
I think Westerns are always so great for clearing out the clutter and the ambiguities, and getting right to the broad strokes of that kind of situation.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
I don't get how people want to read books on computers because it must be really bad for your eyes, for starters. I love the smell of books and I just like the whole experience of it. Maybe I'm just old-fashioned, but I like that whole experience - it's the same as I like putting on a record or a CD and waiting for it to arrive or buying it and waiting to listen to it in full.
Actually I think Art lies in both directions - the broad strokes, big picture but on the other hand the minute examination of the apparently mundane. Seeing the whole world in a grain of sand, that kind of thing.
[Paper Girls] needed to have a certain kind of almost neon style to it, but at the same time we wanted also to show the modern perspective that we had.
Stand-up is very broad strokes, kind of a skeleton of a story or something.
People know the broad strokes of what it's like to be Spider-Man, but I wanted to really get into the details.
We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)
Old age, calm, expanded, broad with the haughty breadth of the universe, old age flowing free with the delicious near-by freedom of death.
Almost nobody believes anymore that infants are insensate blobs. It seems both mad and evil to deny experience and feeling to a laughing, gurgling creature.
Trust your feelings entirely about colour, and then, even if you arrive at no infallible colour theory, you will at least have the credit of having your own colour sense.
If you know the differences between an oak and a poplar, a spruce and a pine, down to the needles... you are able to paint that tree with more conviction, even if done with a few broad strokes.
How often in life are you going to find your mate and that mate happens to be your same exact age and happens to have had the same life experiences to match where you are in our life so you guys can meet perfectly and give society what it wants? It just doesn't happen that way. Some people evolve at 24, some people are 60 and are still evolving. So why are we stopping these great connections based on age, or race or colour or whatever, gender, whatever? You meet who you meet and you connect because of your life experience.
I really wanted to do a deep-dive into the idea that women are always called 'crazy,' and we are painted with such broad strokes because it's so easy to stereotype women and write them off. I got tired of that, and I wanted to explain: We are not crazy. There's a method to our madness.
When introducing a character, you're usually better off sticking with broad strokes. The important thing at that point is not what color hair someone has or how tall they are, but rather, what kind of person they are.
We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works.
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