A Quote by Kenneth Cranham

You have to succeed as a young actor, then as a dad actor, those would be my 'Harvey Moon' years, then as an old actor. — © Kenneth Cranham
You have to succeed as a young actor, then as a dad actor, those would be my 'Harvey Moon' years, then as an old actor.
My dad had been an actor... not only had my dad been an actor, but his dad had been an actor, and my great-grandfather had been an actor. And who knows before then?
I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Frequently over the years, people have thought that they know me. Every character actor has this story, I'm sure. It goes like this: 'Um, do you play soccer?' 'Did you go to such and such church?' 'I knew you when you were with so and so... ' Then I go, 'Well, sorry...' and then they say, 'Wait a minute. Are you an actor?'
I recognize how lucky I am as an actor. I've been working as an actor since I was 9 years old.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
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