A Quote by Kenneth Cranham

I had a whole Scottish existence until we moved to London when I was four. — © Kenneth Cranham
I had a whole Scottish existence until we moved to London when I was four.
I moved to the States from London when I was 12 years old. My father was in a band and wanted to tour, so we moved here, but it wasn't until I moved to Williamsburg and had my son that I felt like I finally belonged.
My parents moved to American Samoa when I was three or four years old. My dad was principal of a high school there. It was idyllic for a kid. I had a whole island for a backyard. I lived there until I was eight years old and we moved to Santa Barbara.
I did work a lot in Scots theatre, but I was never really successful in Scottish film or TV until I went down to London - and I had to go to the U.S. to get my big break.
I've had three or four Scottish Premier League clubs contact me about going there and doing something. A couple of those clubs couldn't be further away from London so I'd have to seriously think about it, but it's nice to be sought after and nice to be wanted.
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
I had a very peripatetic childhood, so I bounced around. Lived in Ethiopia until I was, like, three or four and then lived between Ireland and London.
One of the very, very exciting things I have found here in L.A. is that no one talks to you about being Scottish. Whereas, if you are in London and you are trying to put films together and be a film-maker, there is a kind of unspoken sense that, if you are Scottish, you have something to overcome or else you cannot really do that project.
I was born in London. I moved to New Zealand when I was really young; I can't remember London. My parents went and did what was supposed to be a one-year O.E. (overseas experience) that turned into a 9 year O.E. and they had two kids.
I'm not particularly ethnically Scottish; I have one grandfather who is Scottish, although he's called Macdonald, and you don't get a lot more Scottish than that. The Scottish part of my family are from Skye, and I've always been very aware of that - always been very attracted to Scottish subject matter, I guess.
One of the first things electric I ever saw was a guitar. I was living in a house with no electricity until, at 7, we moved to a house that had it. It had electric lights, but the previous owners had even taken the light bulbs with them when they moved.
I stayed in Miami and New York until I was about nine, and then we moved to India and stayed there for about four years and eventually moved to Berlin. It was definitely a cultural experience in its fullest, and I absorbed a lot. I don't regret any of it.
I moved to Seattle when I was two or three years old. Had my early education there, and would spend summers on the farm in Maryland. Then I went to boarding school in New Hampshire, to St. Paul's School. From there, I moved to London.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
After school I moved to London to get involved in music. I took the whole thing very seriously.
When I left my family home and had finished university, I stayed in South London but moved closer to London's center, to Brixton and Herne Hill. Herne Hill is a tiny place that is ridiculously overstocked with lovely pubs.
I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.
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