A Quote by Kenneth E. Boulding
At the opposite pole from the gift is tribute - that is, a grant made out of fear and under threat. A threat is a statement of the form "you do something that I want or I will do something that you do not want.
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The threat from Iran is, of course, their stated objective to destroy our strong ally Israel. That's a threat, a serious threat. It's a threat to world peace; it's a threat, in essence, to a strong alliance. I made it clear, I'll make it clear again, that we will use military might to protect our ally, Israel.
I also think that we [Americans] are operating out of fear in our country. It's not that terrorism is not a threat, but it's not an existential threat. It is not the preeminent threat facing most Americans on any given day, and yet the power of nightmares is so strong.
We are bringing in another threat, which is nature itself. I don't really want to get into specifics too much, but I will say that there is a third uncontrollable, almost undefeatable threat that is going to come in when the characters of the show are at their most vulnerable. It's really going to be something that they have a hard time dealing with.
Global warming is not a threat. It's not a real threat. It's not a credible threat. It's not an imminent threat. ISIS is.
UNESCO provides protection for the great cultural institutions. There is something called the intangible cultural heritage list. And the Italians want to put Neapolitan pizza on it. But in order to do that, you have to show that whatever it is that you're trying to protect is under threat. And pizza is totally under threat from Pizza Hut and Domino's...
America was founded by men who understood that the threat of domestic tyranny is as great as any threat from abroad. If we want to be worthy of their legacy, we must resist the rush toward ever-increasing state control of our society. Otherwise, our own government will become a greater threat to our freedoms than any foreign terrorist.
It is standard practice for corrupt leaders who are seeking a certain political outcome to hype or manipulate a terror threat or a threat of violent domestic subversion. While sometimes the threat is manufactured, frequently the hyped threat is based on a real danger.
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
I saw a threat in Saddam Hussein. Members of the United States Congress from both political parties saw that same threat. The United Nation's saw the threat. I made the right decision in getting Saddam Hussein out of power.
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
I have never made a threat. I've never made a threat, never expressed a threat, never - I've never - I would never threaten violence ever, because I am a man of peace, dedicated to peace.
I do take the threat of terrorism seriously. You cannot eliminate that threat or diminish that threat by bombing a country.
My final coaching point of the day: It's my contention that in any given moment one lives one's life in one of two ways, either under a threat or for a challenge. In performing when it counts, it's one or the other, under a threat or for a challenge. If, as Einstein says, "Imagination will take you everywhere," then living your life under a threat will take you nowhere.
The American people and the entire world need to understand that the threat to life on earth resides in Washington and that until Washington is fundamentally and totally changed, this threat will remain as the worse threat to life on earth.
I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.
In the future, the cyber threat will equal or even eclipse the terrorist threat.
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