A Quote by Kenneth Grahame

As a rule, indeed, grown-up people are fairly correct on matters of fact; it is in the higher gift of imagination that they are so sadly to seek. — © Kenneth Grahame
As a rule, indeed, grown-up people are fairly correct on matters of fact; it is in the higher gift of imagination that they are so sadly to seek.
The idea that when you correct a fact, you erase that fact from people's memories is the reverse of the truth. When you correct a fact, what you do is you further lodge that fact into people's minds, and they remember the error.
The thought of both East and West (philosophies) can indeed be integrated into a higher truth. They show us that the West is correct in maintaining that life is about progress about evolving toward something higher. Yet the East is also correct in emphasizing that we must let go of control with the ego. We can't progress by using logic alone. We have to attain a fuller consciousness, an inner connection with God, because only then can our evolution toward something better be guided by a higher part of ourselves.
Studies show that if people think that they are treated fairly by the police, that matters almost more than what the result is. If you get stopped for a traffic stop and feel that you are treated courteously and fairly, you are much more likely to accept the fact that you got a speeding ticket.
My imagination is closer to a child's imagination than to a grown-up's.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
It is fashionable in some academic circles to exercise scholarly criticism of the Bible. In so doing, scholars place themselves above the Bible and seek to correct it. If indeed the Bible is the Word of God, nothing could be more arrogant. It is God who corrects us; we don’t correct Him. We do not stand over God but under Him.
The only way to enjoy the fun of catching people behaving disgustingly is to have children. One has to keep having them, however, because it is incorrect to correct grown people, even if you have grown them yourself.
Imagination, where it is truly creative, is a faculty, and not a quality; it looks before and after, it gives the form that makes all the parts work together harmoniously toward a given end, its seat is in the higher reason, and it is efficient only as a servant of the will. Imagination, as it is too often misunderstood, is mere fantasy, the image-making power, common to all who have the gift of dreams.
The right to rebellion is the right to seek a higher rule, and not to wander in mere lawlessness.
If there were no internal propensity to unite, even at a prodigiously rudimentary level - indeed in the molecule itself - it would be physically impossible for love to appear higher up, with us, in hominized form... Driven by the forces of love, the fragments of the world seek each other so that the world may come into being.
For people who live in the imagination, there is no lack of subjects. To seek for the exact moment at which inspiration comes is false. Imagination floods us with suggestions all the time, from all directions.
Imagination is usually regarded as a synonym for the unreal. Yet is true imagination healthful and real, no more likely to mislead than the coarse senses. Indeed, the power of imagination makes us infinite.
Let's stop telling people from modest backgrounds that their education is capped at a certain level because of where they grew up. In fact I can attest to the fact that all this attitude does is put people off wanting to test the waters and apply, or push themselves towards higher education at all.
Apart from God nothing matters. We think that health matters, that freedom matters, or knowledge or art or civilization. And but for one insistent word they would matter indeed. That word is eternity.
I always seek to mobilize, to call on the imagination of the spectator. It's well-known that the images that are created by one's imagination are far stronger than any that I can show. In fact, it's an error, a widespread error in mainstream cinema, to always want to show things and to depict things.
By the time it came to the edge of the Forest, the stream had grown up, so that it was almost a river, and, being grown-up, it did not run and jump and sparkle along as it used to do when it was younger, but moved more slowly. For it knew now where it was going, and it said to itself, “There is no hurry. We shall get there some day.” But all the little streams higher up in the Forest went this way and that, quickly, eagerly, having so much to find out before it was too late.
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