A Quote by Kenneth Lonergan
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
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I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
We don't think of them as acting, but we take on certain characteristics based on where we function, and those relationships draw out aspects of who we are as people. And that's what acting is. Different parts draw out different parts of your nature.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
Draw nigh to God, and He will draw nigh to you. Keep near to the fountain-head and with joy shall ye draw water out of the wells of salvation.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
One must always draw, draw with the eyes, when one cannot draw with a pencil.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
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