A Quote by Kenneth Lonergan
'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'
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I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
When you're shooting super-low-budget - we had 20 days to shoot 'Diary,' and a little over $2 - time is money.
As soon as I gave birth, I had, like, 20 kilos, which I think is about 50 lbs., and I realized, 'Oh my gosh - in one month, I have my photo shoot.' So I had to lose a lot, and you know, it doesn't happen in one month. So it took me almost a year because I think, realistically, it takes about a year.
My days are always changing, as some days, I'm on a shoot, or I will be DJing in the middle of the day or evening.
I went over to shoot for six days. It turned out to be ten days, very nicely so. A little money.
TV is designed a certain way where you have three, four days on stage and three or four days out. You're basically making a feature every seven days. You have to shoot an hour's worth.
Pigs grow very quickly, and you can see a difference within days. So we would shoot with one piglet for a couple of days, and then have to get a replacement.
'Balls of Fury' was a 45-day shoot when it probably - hindsight being 20/20 - probably should've been a 75-day shoot with all the ping-pong action.
I'm lucky if I find one movie a year that's worth doing, and when I do find one, it usually only takes 20-30 days to shoot.
I don't have to shoot from more than two feet. I'm top 50. I've got 23,000 from where I shoot.
I'm a nervous wreck. If it's a 20-day shoot, at lunchtime on the first day, I'm thinking "Only 19 and a half days to go... I can make it!"
Ram Gopal Varma had signed me for 'Satya' and two days before the shoot, I was dropped out of the film. He didn't even have the decency to call me or my manager and inform me about the reality. I learnt from the press that he had begun shooting without me.
...Nameless, unknown to me as you were, I couldn't forget your voice!' 'For how long?' 'O - ever so long. Days and days.' 'Days and days! Only days and days? O, the heart of a man! Days and days!' 'But, my dear madam, I had not known you more than a day or two. It was not a full-blown love - it was the merest bud - red, fresh, vivid, but small. It was a colossal passion in embryo. It never returned.
It took for me to get to the Lakers and for my teammates to help me get through that mental block that I had. Anytime I was open, anytime it even looked like I might be open, they always told me, 'Shoot the ball. We don't care if it goes in or if you don't make it. Just shoot it.'
If I have a big shoot coming up, I do low-carb, no red meat, and earlier dinners. And I just tell myself that sure, maybe I cannot eat all the things I'd love to today. But there are many more days in the week, and that perfect bite will come when I'm done with whatever shoot.
I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
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