A Quote by Kenneth Lonergan
Sometimes films have no rehearsals - you don't have real rehearsals on the set because the day is so dominated by the schedule.
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I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.
Going to rehearsals was too depressing, and missing rehearsals was also depressing, so it was like a vicious circle.
I have worked with Salman a lot of times and have choreographed him earlier also. He doesn't do rehearsals; he never comes for that. He is the only actor who has never opened the door for rehearsals.
It's very difficult to switch back and forth between running rehearsals and then stepping in to dance in rehearsals as a dancer. Just to switch hats in an instant can be a little bit jarring, mostly physically, on the body.
That's opera! I just love it. It just thrills me! And it's very different than theatre, and sometimes it can be frustrating because when you come in the first day of rehearsals obviously you're an opera fan, right?
The life of any musician really doesn't fall into a normal schedule at all. Every week there are different rehearsals, different days and nights of performances, so we don't have a particular pattern that we can follow. For a conductor, it is a little bit worse because we have to allow for traveling.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
On the set, I visit the set for a lot of the rehearsals, and there's always a writer on set. And then I'm involved in post-production, very intensely involved in editing, and the sound mix and color timing. Really, I have about nine jobs.
I think that sometimes in theater, I don't prepare much beyond going to the rehearsals.
I always lose weight - around 5 to 7 lbs. It's because of our strenuous rehearsals and long hours, which is not relatable to anybody because you're working out 8 to 10 hours a day.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.
I think for an upcoming actress the biggest challenge is that sometimes there are situations when she has no luxury for rehearsals.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
I love rehearsals and I love creating a character, sticking with it until you have something to tell. It's always different though. Sometimes a director will tell you from day one what they want. Then you throw in your idea.
Sometimes it depends on the actor or the actress. Sometimes they demand a lot of rehearsals. Sometimes they don't. Making movies is not like making a play, so I guess you can leave some of the work for improvisation when they do the work.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
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