A Quote by Kenneth Noland
Because of this the representation I'm interested in is of those things only the eye can touch.
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Because I'm interested in depiction, representation, therefore you're interested in photography. You don't ignore it.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.
It's because I'm only interested in the big things that I'm not interested in politics.
Not all representation is good representation. I would argue a lot of the marginalized representation in TV and media is off, because a lot of the gatekeepers are white straight cis people who mean well and they think meaning well is enough, and it's not.
There are things I photograph because I'm interested in those things.
I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.
The desire of representation exists only insofar as the original is always deferred. It is only in the absence of the original that representation can take place.
Having a Facebook and Twitter profile allows me to keep more in touch with people, particularly young South Africans and those who are part of the online community. I was amazed that anyone might be interested in what I do and who I meet. Now I know what people will be interested in.
I'm not at all interested in simply reporting what's here right now, or cranking out an entertainment device that's going to touch the widest number of people. I'm interested in digging and excavating as deep as I can go into those small eternal moments and how they expand out, or close in, on the lives of my characters.
It's important to be able to have representation for black queer women, because I feel like there's not much representation for them in the mainstream.
Of course I can have a simple reaction of sympathy and sorrow to destruction. But you also know that you can't have new things if you don't occasionally destroy the old. That's something you're really not allowed to say because things are often destroyed according to particular power relations so it means taking a stand in those cases, which I am not really interested in doing either. I think I am simply interested in looking.
I was poisoning myself with alcohol and medicating myself. I was trying to numb things. I was trying not to feel things, and that's ridiculous. It's one of the dumbest things you can do, because all you're doing is postponing the inevitable. Someday you'll have to look all those things in the eye rather than try to numb the pain.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
By logic, it's a handicap. If I shut one eye, I can't see from the other eye. But it is one of those things which I don't think too much about. One needs to have the strength to move forward.
The common eye sees only the outside of things, and judges by that, but the seeing eye pierces through and reads the heart and the soul, finding there capacities which the outside didn't indicate or promise, and which the other kind of eye couldn't detect.
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