A Quote by Kenneth Rexroth
Did you know I staged the first performance in America of At the Hawk's Well?
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'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire, the picture seems to choose futility arbitrarily.
When you realize that everything is staged, then nothing is staged.
I think 'SNL' is so well-known for its musical performances, as well, and people really breaking into America through a really great performance on there. So I think me and Gotye are both really excited to be amongst such company. You know, it's great.
In America now every romantic comedy is interpreted politically. I can remember when I was promoting Black Hawk Down we were all being asked what it said about September 11th. Well, it was shot before that happened, so, nothing.
What I will do is put America first. People don't like to use that term of America first, but we're going to make America great again by putting America first.
When my first show was on MTV, and it was this outrageous persona, I think people certainly didn't know what to think. But it was a performance. I'm sure people didn't know that it was a performance; they thought maybe I was just nuts, but that was all intentional.
When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
By holding to the first woman, the first black, the first homosexual, the first transgender, the first native American, the first whatever, there is also something else more hideous that is woven into this intricate web of deceit, and that is the built-in excuse to why they might or will fail. It's because America is unjust. When you have the first woman to do something, the media questions, "Why haven't there been more?" Well, America is unfair, unjust, bigoted, sexist, and misogynistic.
The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.
Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.
It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?
It's time to make America safe again. It's time to make America one again. I know it can be done because I did it by changing New York City from 'the crime capital of America' to - according to the FBI - the safest large city in America. What I did for New York City, Donald Trump will do for America.
Being a defense hawk and a budget hawk are not mutually exclusive.
My staged work looks so real that people actually take it for documentary. But, in fact, that is my intention, to disguise the manufacturedness of it. Half of my work, or probably more than that, is staged.
To our real, naked selves there is not a thing on earth or in heaven worth dying for. It is only when we see ourselves as actors in a staged (and therefore unreal) performance that death loses its frightfulness and finality and becomes an act of make-believe and a theatrical gesture. It is one of the main tasks of a real leader to mask the grim reality of dying and killing by evoking in his followers the illusion that they are participating in a grandiose spectacle, a solemn or lighthearted dramatic performance.
'These boat people,' says the government of Hong Kong, 'they all want to go to America.' Well, I swear I don't know why, do you? I mean, take Vietnam. Why would any Vietnamese come to America after what American did to Vietnam? Don't they remember My Lai, napalm, Sylvester Stallone?
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