A Quote by Kenneth Turan

What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.
Derivative writers seem versatile because they imitate many others, past and present. Artistic originality has only itself to copy.
I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.
Hollywood. It lacks originality. Remake sucks.' But I had to look deeper into it from my own perspective. We are not trying to compete with the original at all and that's what allowed me to pull the trigger without any hesitancy.
Much has seen said of the wisdom of old age. Old age is wise, I grant, for itself, but not wise for the community. It is wise in declining new enterprises, for it has not the power nor the time to execute them; wise in shrinking from difficulty, for it has not the strength to overcome it; wise in avoiding danger, for it lacks the faculty of ready and swift action, by which dangers are parried and converted into advantages. But this is not wisdom for mankind at large, by whom new enterprises must be undertaken, dangers met, and difficulties surmounted.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
I question every word; I write 'the' and immediately feel scorn. It's such an ordinary word - everybody uses it - why can't I come up with something original? In the sunlight, every single word seems hackneyed.
I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
The ethics of plagiarism have turned into the narcissism of small differences: because journalism cannot own up to its heavily derivative nature, it must enforce originality on the level of the sentence.
I've always said that at the end of the day, on a legal issue, I think a wise old woman and a wise old man are going to reach the same conclusion.
If a Hollywood studio needed a fighter to play the hero in an old-time boxing movie, the search could begin and end with John Duddy.
It is nice to be validated by audiences and have people come up to you after a screening and tell you that they loved the movie. It never gets old.
Dissenting opinions are useful even when they're wrong. So instead of speaking to highly agreeable audiences, target suggestions to people with a history of originality.
I cannot stand Hollywood child performances. It just reeks of artifice, and it's weird that, for some reason, Hollywood feels they have to make their child characters smarter than adults, and suddenly kids have the vocabulary of a college grad.
The entire political system is contrary to everything a feminine heart stands for. It lacks inclusion. It lacks tenderness toward children. It lacks honor for relationships. It lacks reverence for the earth. It lacks love. And without those things, the feminine psyche disconnects.
There was a part of me that felt afraid of people in Hollywood going: '**** Hollywood with their total lack of originality!'.
We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.
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