A Quote by Kenny Baker
There just aren't many little guys who are good actors. They don't get the training; they don't go to RADA. There just aren't the parts for dwarfs, and if you like it or not, you're typecast as a dwarf.
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Oh yeah, I'm the president of the lucky club. There are so many talented people who don't work. And the crop of young actors I'm surrounded by is incredible. When you have people like that around you it amps you up a little bit. Also, Emile Hirsch and Joseph Gordon-Levitt, or guys like Ryan Gosling. It's a really good crowd and I feel I'm coming up at a good time. But equally, there's a lot of good young actors who don't get to work who are more talented than I. I'm just lucky.
If you do something and it proves to be a success, then people go 'get him to do that type of thing again, but only slightly different'. Either you do that or you go 'No! I want to play a leprous, lesbian dwarf from Guatemala!' But those parts just aren't coming to me.
If you have a great part, you have the opportunity to give a good performance. The greatest actors get the best parts, and the best parts make the greatest actors. There are plenty of people who are as talented, who just never got the part.
People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.
It always sounds so cheesy when I say it, but whatever it is you want to do, just go for it. I don't care what it is: find a reputable school, or if you need to go to college or get the right training, just go do it and take little steps.
I had a niche. And my niche was that I was brown. So it's like, 'Great, I get to go up for all these 'brown parts.'' I call them 'brown parts' because that's what they are. That's not to be resentful, because I loved playing those parts - I got to meet so many cool actors.
That was my one big Hollywood hit, but, in a way, it hurt my picture career. After that, I was typecast as a lion, and there just weren't many parts for lions.
I just felt like actors - I watched a lot of 'SNL,' and those guys just seemed like they were superheroes - that that wasn't a reality for anyone other than people with superhuman strength. So, I mean, I acted a little bit in high school, but the idea of doing it professionally was just never really an option.
'Gangs Of Wasseypur' had two parts and 200 actors. I didn't think it would be that successful and go to international festivals. These things just happen. You should just do films that you like doing.
It's very rare that you get a part that you actually like. People have a misconception, whether it be because actors lie or because you're reading interviews from giantly, massively famous actors, but you don't just get offered parts, all the time. You actually have to work to get them.
I'm fortunately not, like, typecast. I don't have to just do one kind of thing; I can do all kinds of things that reflect different parts of me.
There are two different kinds of actors. There are people who take it just so damn seriously. Then there are guys like me that just get up and love doing it.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
I don't think Indian actors are good. A couple of them are, like Anupam Kher, but not many are there like him in the industry. There are thousand of actors and actresses in the industry, but you can count on hand how many of them are really good; the rest of them are just pretty faces.
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
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