A Quote by Kenny Beats

I feel like I wasn't making music that meant anything to me until I was 26 years old, so I'm realizing that sometimes it takes three years or five years to understand what the point of even making music together is.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
The kids that are making the ghetto stuff I can't even reach are the ones that are inspiring me to play music for the other kids in the city they don't even know about. If I don't get those kids making music, there won't be an original kid DJing like me in five to 10 years.
I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
I came into this music business at 26 years old. I was a fully developed man at that point. At that age, I didn't have anything to prove.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
People get caught up in making music with a trend. You're time stamping your music and I'm guilty of it to. But, I want to make music where five, ten years from now it brought back a memory or brought an emotion out of them they want to feel.
My music is how I feel, and that's changed from being twenty years old to being forty-three years old.
For me, it's different every year. Some years, it takes me a while to feel comfortable again, to feel like I'm ready to go. Other years, it clicks real fast. Sometimes, it just takes one game or one swing to feel like, 'OK, I'm back.'
It takes me two to three years to write a novel. A screenplay is 100 pages and takes five years.
Of course, anybody's who's 26 years old will probably say, "Of course the old guy would say that." But wait until you're 45 or 46 years old. See how you feel about it then.
Childhood, all me influences were, say, between the time that I can remember, which would have been about three years old to the time that I was about five or six years old, all the music that I ever heard was jazz and it was American jazz, and it was big-band jazz, to be more defined.
When I was three years old, I went to an orphanage, but because of the beatings, I ran away when I was five and lived alone by selling gum on the streets. For ten years, I lived like a fly. I was eventually able to graduate elementary and middle school through qualification examinations and the first thing that I ever liked was music.
I like making all kinds of music, it really depends on the moment. Sometimes I feel like making a weird trap song, and sometimes I can't even attach a track to a genre.
I really don't see the point of making music if you don't love it, and I'm lucky enough to say I love my music, and love the things I've made over the last couple of years and they bring me so much joy.
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