A Quote by Kenny Beats
I heard Idles and was like this is all I want to work on, this is all I want to do, these guys are the best. I got into their DMs and told them that and luckily we got to meet and the proof is in the pudding.
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It's completely idiot proof." I told them they've got it all wrong. I want a machine that is "idiot friendly.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
You got to work hard whatever you're doing and try to be number one and take pride in what you're doing. You want to be at the best at your spot then you got to work hard, man. A lot of guys don't work as hard as it gonna take.
You've got to sing like you don't need the money. You've got to love like you'll never get hurt. You've got to dance like there's nobody watching. You've got to come from the heart, if you want it to work.
They say you don't want to meet your heroes, but those two guys, you do want to meet them, because they do not disappoint. Walken has this amazing sense of humor, and Pacino is like just a sweetheart of a guy.
I wanna work with good people. I don't want to work with screaming, yelling directors who've got daddy issues. I just don't want to deal with those guys.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
I don't want to hear about the endless struggles to keep sex exciting, or the work it takes to plan a date night. I want to hear that you guys watch every episode of The Bachelorette together in secret shame, or that one got the other hooked on Breaking Bad and if either watches it without the other, they're dead meat. I want to see you guys high-five each other like teammates on a recreational softball team you both do for fun.
Sydney: "You can be Jet if you want, but we are not posing as a couple again" Adrian: "Are you sure? Because I've got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." Sydney: "Why are they all high-calorie foods? And bread pudding isn't really that romantic." Adrian: "Do you want me to call you celery stick instead? It just doesn't inspire the same warm and fuzzy feelings." - The Indigo Spell
You want to win races? You've got to get out there, and you've got to be vocal, and you've got to work. When you win, you've got to actually represent. You've got to be willing to fight your party.
I thought I had to work at someplace everybody's heard of. It was never, 'I'm interested in such and such. I want to work in such and such magazine.' It was like, 'Oh, my G-d, I really need to work for somebody so people will think I'm OK.' So I got a job at 'Popular Mechanics'.
I got called and was told, "We'd like you to do The Hobbit", which was my favorite of all of them when I was a kid - "And we want you to play a character that's not in the books", I gulped and hesitated, but then I went, "These guys know this world, and they represent this world so well, that I actually think they've earned the right to have a little play."
We've got some guys going good and we've got some guys who are struggling. Usually April's a tough month. Guys come from Arizona where the weather's perfect and the ball flies all over the place. Then you get into the reality of the season, and it can work against them, not so much physically as mentally.
As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
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