A Quote by Kenny Chesney

Music's supposed to come from the heart. I felt like that if it ever got mechanical, I was going to back away from it. — © Kenny Chesney
Music's supposed to come from the heart. I felt like that if it ever got mechanical, I was going to back away from it.
Drawing and visual arts was kinda my first passion going all the way back to when I was a kid. I always felt like it was what I was supposed to do - but in reality I don't know that I ever had the skill to make it a profession.
I can look back at it now as definitely like an initiation into adulthood. Almost overnight in the NFL, I was put on a pedestal and I was supposed to be this icon or this image of what a professional athlete was supposed to be. I felt like I just got stuck trying to be someone else and I forgot who I actually was.
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
I come from nothing. When I got a chance to make some money, I was like, 'Man, I'm not ever going back.'
Have you ever felt despair? Absolute hopelessness? Have you ever stood in the darkness and known, deep in your heart, in your spirit, that it was never, ever going to get better? That something had been lost, forever, and that it wasn't coming back?
Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.
I don't ever want to come out with something safe and get away with, 'It sounds good!' It's got to be more than sounding good. The music I like are events.
I got married and had a baby, so I was doing the mummy thing. I got hyperemesis and was only supposed to go away for maternity leave, but then it ended up being three or four years, and by that time, it was hard to get back into the music world, so when Drake called, it was the perfect opportunity.
All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.
When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
I felt that I really couldn't be creative with opera. You're supposed to sound this way here. You're supposed to crescendo here. You're supposed to do that. I had no sense of identity while singing that kind of music.
When I first got into string-band music I felt like such an interloper. It was like I was sneaking into this music that wasn't my own... I constantly felt the awkwardness of being the raisin in the oatmeal.
It's the only way I think I'm ever going to walk away from the game, is to go ahead and say I'm going to, and then I've got to. There's no turning back now - win, lose or draw.
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
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