A Quote by Kenny Chesney

So many nights I'm up there on stage and I wish everybody out in the audience could see what I see and feel what I feel. — © Kenny Chesney
So many nights I'm up there on stage and I wish everybody out in the audience could see what I see and feel what I feel.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
Everybody goes up and does something in the private sector that they feel that they can do, and obviously I'm a musician and feel that one of my experiments - because I think there are many that you can do and that you're helped with the ideas of what you could do - yes, would be to see how I would sing in zero gravity.
I feel most free onstage. The audience, it's an abstraction. You don't really see anyone out there, but you feel the audience inside you.
I'm putting my emotion out on stage so people can actually feel me. If you feel somebody's art and you see them perform it and they aren't feeling it, that's one of the first things in the game.
More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.
I feel the audience are friends that have come to see us. That was always how we look on it in the Carter Family. I've never suffered stage fright.
It’s just that I feel so sad these wonderful nights. I sort of feel they’re never coming again, and I’m not really getting all I could out of them.
You could feel the place going crazy because we hadn't been on stage together for maybe 35 years and the audience could just feel us in the darkness come on and they went nuts. It made the little hairs stand up on the back of my neck and we sang Sit on My Face, which I thought was wonderfully appropriate for George's memorial, and then we bowed and we showed our bare asses.
I like my audience. I always feel when up on stage performing that I could enjoy having a cup of coffee with any one of them.
I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I think a lot of improvisers, you'll see them some nights and they just stink, and they go, "Well, we're just improvising." Like that's a license to have a shitty night!
If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
When I get out on the field, you see me laughing so much because it's a dream come true. A lot of people wish they could do what I do, or wish they had an opportunity to do what I do. But not everybody's granted opportunity. I was, so I'm taking full advantage of it.
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have seen one because then I could believe in God. If I can see it, feel it and taste it, then I believe in it.
When you sing, you put on a persona. I hide behind that person on stage. You can feel like death, but you have to put it on. The audience wants to see someone smiley.
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